arts

Peter Noone's Herman's Hermits packed in the crowd for Rockin' the Downs tonight.

Photos courtesy Batavia Downs.

Last year, Thomas Rhett threw a bit of a stylistic curveball to fans with his album “Country Again: Side A,” which moved away from the pop elements and modern production that had been a big part of recent albums like “Center Point Road” (2019) and “Life Changes” (2017), and featured a more organic, more country and more relaxed sound.

But when Rhett tested songs from the album during an early 2021 run of shows at the famous club Billy Bob’s in Fort Worth, he felt the songs didn’t translate to the live stage the way he hoped.

This triggered a reaction as rejiggered his live show and as he and his songwriting collaborators got together to write during the 2021 tour, Rhett found he was in a different headspace than when he made “Country Again: Side A” during the pandemic.

“I think we just wanted to go in there with joy,” he said. “I wanted the recording process this time to not be so weighty and heavy and just have a blast doing it.”

Rhett headlines at Darien Lake Performing Arts Center on Friday.

The album that emerged, the recently released “Where We Started,” retains a few songs in the “Country Again: Side A” vein, but also should appeal to fans who like the poppier side of Rhett’s music.

“I kind of wanted to give the people who fell in love with ‘Life Changes’ and ‘Center Point Road’ a few songs that kind of reminded them of that,” Rhett said. “But I also wanted to give a lot of songs to people who really loved ‘Country Again Side A.’ There’s a little bit deeper of a piece of that on this record. I feel like as a whole, it’s one of the most well-rounded albums that we’ve gotten to make.”

A willingness to test musical boundaries without losing the country thread or accessibility of his music has made Rhett one of country’s top stars and most consistent hitmakers over the past decade, with six albums that have produced 19 No. 1 singles.

“This is for sure the longest show we’ve ever played,” Rhett said. “I think we have a 25-, 26-song set list this year, which I’m really excited about. There’s going to be something for everybody.” 

Photo by John Shearer.

The obstacles faced by a young black musician and untangling the mystery of who stole his priceless violin makes for a compelling story, said Samantha Basile at the reveal of the Richmond Memorial Library's summer reading selection.

"This year, we had a lot of strong contenders, but we kept coming back to one in particular," said Basile, the community and adult services librarian at the Richmond library. "So this year's title selection is a debut novel. It is part mystery part coming-of-age story. It was a Good Morning America GMA book club pick."

The selection is The Violin Conspiracy by Brendan Slocum.

Basile said the selection committee, which has been reading review copies of multiple novels over the past year, was "drawn to the powerfully written passages about music, the element of mystery, and the no holds barred portrayal of the obstacles faced by a young black classical musician and contemporary America."

Basile played a short video from Slocum in which he described and discussed his debut novel.

"It's a story about perseverance and hard work and the power of one person believing in you and believing in yourself," Slocum said. "It's a story of Ray, who discovers that his old family fiddle is actually a priceless Stradivarius violin. This discovery catapults him into superstardom in the world of classical music. And right before the Tchaikovsky Competition, which is the Olympics of classical music, his violin is stolen."

And thus the mystery begins, and a determined protagonist works diligently to uncover, from among many suspects, who stole his violin so he can recover it in time for the competition.

"This story came to me in the summer of 2020 When everything was shut down for everyone," Slocum said. "As a professional violinist, I wasn't playing any concerts. I wasn't teaching any lessons. I wasn't practicing for any recitals, or performances or anything. So it really gave me an opportunity to sit down and write."

Members of the Genesee Symphony Orchestra's string section performed during the reveal and Library Visits Coordinator Lucine Kauffman read a passage from the book (see video below).

Slocum will be at Richmond library, 19 Ross St., Batavia, at 7 p.m. Oct. 7  to discuss his book and sign copies.

The Richmond Reads Committee will host additional book discussions and readings during the summer.

Copies of the book are available now to borrow at the library in regular or large print, and on the Libby app as an eBook or audiobook. Copies may be purchased at the front desk for $20, cash or check made out to the Friends of the Richmond Memorial Library.

Photos by Howard Owens

Pat Monahan of Train doesn’t need to write new songs and make new albums. He’s had more than enough hits over a career that now spans nearly 30 years to be able to tour for as long he wants. 

But he’s back with a new Train album, “AM Gold,” back on tour this summer (topping a bill that also includes Jewel and Blues Traveler) and hoping this latest album will give him another hit single – or more. Far from coasting on a catalog that includes more than 20 adult pop hits, Monahan’s still as driven as ever to stay in the current pop music conversation. 

Train takes the stage tonight at Darien Lake Performing Arts Center.

“You know, there was a famous conversation between Billy Joel and Elton John where Elton John was like ‘How come you aren’t making new albums?’ And he (Joel) says ‘How come you haven’t stopped?’” Monahan recalled in a mid-May phone interview. “But Elton has this desire to continue to be relevant. And I have that same desire…I feel more like Elton John than Billy Joel.”

“It’s not about record sales,” he concluded. “It’s simply the desire to stay relevant.”

“AM Gold” finds the latest lineup of Train – Monahan, drummer Matt Musty, keyboardist/guitarist Jerry Becker, guitarist Taylor Locke, bassist Hector Maldonado and backing singers Sakai Smith and Nikita Houston, working more as a band than ever.

On the band’s previous two albums, “Bulletproof Picasso” and “A Girl, a Bottle a Boat,” Monahan had collaborated with outside writers to generate songs he hoped would have commercial potential. But as work on “AM Gold” progressed, Monahan ended up writing primarily with Musty and Becker.

Monahan said he had not settled on how many songs from “AM Gold” to include alongside hits and other back catalog material in Train’s shows this summer. He expected some early fan feedback online would point him toward what new songs to perform. But whatever form the set list takes, fans can expect a lively show with some visual splash.

“Hopefully we’ll have a little pyro for everybody, some real fun explosions, and a great light show,” Monahan said. “But within reason. It won’t be a Kiss show.”

Photo by Brooke Clark.

Travis Denning, known for his song “David Ashley Parker from Powder Springs” which peaked in 2018 at 32 on the Billboard Country Airplay charts, opened the show with his shredding guitar solos and modern country/rock sound.

Jordan Davis, a crowd favorite, followed playing a half-hour set, playing  “Buy Dirt,” “Almost Maybes,” and “Singles You Up.” 

Dierks Bentley was the star of the show, opening with his 2003 number 1 hit off his first album “What was I thinking.”  His performance included “Burning Man” and “I Hold On.”  In Bentley’s 19-year career, he’s released 25 singles, and 22 have reached the top 5, 17 of which climbed to number 1 on the Billboard Hot Country Charts. 

Photos by Philip Casper

Press release:

The Batavia Society of Artists is hosting artist Kevin Feary in a Plein Art Painting (painting outdoors) demonstration on Tuesday, July 12 from 6 to 8 p.m. 

The demonstration will be held at Karen's Yarn, Paper and Scissors, in the back yard, at 550 E. Main St., Batavia. Bring a lawn chair. 

Non-members are welcome for a $5 fee.

Kevin will base a quick demo on how to capture light effects through observing how the light hits a bush or potted plant or some other simple object. There will be something in Karen's backyard we can use to get sunlight where he can demonstrate how the light hits an object and how we can create an impression of that on our canvas.  He will also try to demonstrate how to paint scrub and weeds to add interest. People can bring their paint gear and give it a try, kind of like a short class, hands-on thing.

Kevin will do his best to keep it quick so people can try it if they want.

More sites from Saturday's Ramble Music & Arts Festival in Downtown Batavia.

See also:

• Ramble mixes art, dance, music, food and people for winning recipe Saturday
• Time for some music, pedestrian-friendly fare and a visit during Batavia Ramble

Top photo: Bill Macdonald playing with Beethoven's Dream Group

Photos by Howard Owens.

Kay Macdonald with Beethoven's Dream Group

Crimson Crossroads

Crimson Crossroads

High Pines

High Pines

The Remediators

The Mighty Zep -- in the form of tribute band Get the Led Out -- landed hard and loud -- just the way Jimmy Page, Robert Plant, John Paul Jones, and John Bonham should be represented -- at Batavia Downs on Friday.

A capacity crowd rocked right along with a full set of Led Zeppelin classics. 

Get the Led Out -- a six-piece group -- provides faithful renditions of Zeppelin studio-recorded hits as fans have known them through the eras of vinyl LPs, 8-track and cassette tapes, CDs, and streaming.  GTLO is Paul Sinclair, Paul Hammond, Tommy Zamp, Phil D'Agostino, Adam Ferraioli, and Eddie Kurek.

Photos by Howard Owens.

After an eight-year break, the boy band Big Time Rush is back with all four original members  -- Kendall Schmidt, James Maslow, Logan Henderson and Carlos PenaVega -- on board, with three new singles added to their three-album catalog and a major tour underway.

In returning to the music scene, Henderson, Maslow, PenaVega and Schmidt plan to be more involved in all aspects of Big Time Rush’s career. Where Nickelodeon (which ran four seasons of the group’s television series, “Big Time Rush”) and Columbia Records gave the group plenty of resources for promotion first time around, Big Time Rush is now an independent operation. Nevertheless, Schmidt reported that ticket sales for the Forever tour have been strong.

“I think we’re one of the few independent artists who’s able to do a nationwide tour that’s doing as well, and we might be one of the only ones,” Schmidt said during a Zoom interview with all four band members. “We’re doing our music independently, we’re doing this tour independently…It’s really exciting because we were always into this vision of wanting to be the creative force behind (the group), but now we actually get the chance to do that. What you’re seeing is 100 percent (us).”

Big Time Rush Forever Tour is set for 8 p.m. July 3 at Darien Lake Amphitheater at Six Flags Darien Lake Theme Park. 

If things go as planned, fans will be seeing and hearing Big Time Rush for years to come.

“This is a reunion tour, but it certainly isn’t just one reunion tour,” Maslow said. “We plan on continuing to do our music and continuing to tour and continuing to grow. The sky’s the limit.”

As for the live show, it will be bigger and better than anything the four singers have done before, featuring a more elaborate stage set with five levels and a more cohesive presentation.

“I feel like this go-around we have the most put-together show we’ve ever had,” PenaVega said. “Things flow better, there’s not a lot of breaks in between songs. There are like a lot of transition pieces, and it really feels like one big solid show. Before they were great shows, but it was a little more free form. I think this is more polished.”

Photo: Submitted photo.

Alan Scully is a freelance music feature writer.

Press release:

Working with GO ART!, the Arts Council for Wyoming County (ACWC) and the Genesee Valley Council on the Arts (GVCA), ten local artists announced today they received an Artist Employment Program (AEP) grant from Creatives Rebuild New York (CRNY). Designed to support employment opportunities for artists, the program is funding 98 collaborations involving a dynamic group of 300 artists employed by community-based organizations, municipalities, and tribal governments across New York State. CRNY has awarded a total of $49.9M in funding to support artists’ salaries and benefits, with an additional $11.7M in funding provided to the organizations holding employment.

“If we are to truly rebuild our amazing state, we must celebrate artists’ contributions not only to the economy but to what makes us human,” says Creatives Rebuild New York's Executive Director Sarah Calderon. “The incredible work being funded through CRNY’s Artist Employment Program underscores the importance of direct support for both individual artists and the organizations that hold their employment.”

The artists will work with the three arts councils to provide arts programming throughout the region. The ten artists, listed below, are skilled in diverse visual and performing arts, including painting, sculpture, music, choreography, and theater. They will collaborate over a two-year period to create various exhibits, performances, classes and experiences. GO ART!, ACWC, and GVCA will collectively receive $1.5 million to support the collaboration, including artists’ salaries and benefits.

The ten artists included in this project are:

• Dan Butler, visual artist and muralist
• Ted Canning, musician and teaching artist
• Ruben Ornelas, choreographer and dancer
• Jill Pettigrew, visual artist and teaching artist
• Susan Ferrari Rowley, sculptor
• Rashaad Santiago, special effects artist and director
• Gaitrie Devi Subryan, choreographer and dancer
• Annette Daniels Taylor, poet, filmmaker and actress
• Paul Thomas, ceramicist
• Keith Walters, photographer and videographer

“The artists and staff of GO ART!, ACWC, and GVCA worked really hard on getting this grant. We are proud and beyond excited for this opportunity,” said Gregory Hallock, Executive Director for GO ART!. “This truly is an amazing, talented, and hard-working group of artists and art administrators. Look out Genesee, Livingston, Orleans, and Wyoming Counties; we are going to be providing some amazing programming and art displays. Make sure to follow us on our social media pages and help us make art happen!"

Artist Employment Program recipients were selected through a two-stage process by a group of twenty external peer reviewers alongside CRNY staff. From an initial pool of over 2,700 written applications, 167 were shortlisted for interviews with reviewers. To view the list of 98 Artist Employment Program participants, visit https://www.creativesrebuildny.org/participants/.

For more information about Creatives Rebuild New York’s Artist Employment Program, please visit creativesrebuildny.org. 

Photo: File photo of Rashaad Santiago from 2017. Photo by Howard Owens

When Buffalo singer/songwriter Max Muscato released his punchy single “Valarie,” in February, it ended a five-year drought since he last released music in the form of his 2017 debut album, “Act One.”

The reason for the break was Autism Rocks, a non-profit inspired by his brother, Sonny, who has autism. It works to keep people with autism on track by offering career preparation workshops in music, acting, film, and other arts while also raising funds and awareness for autism.

“I took three to four years off from my music career to make sure my brother was solid and the organization was great,” Muscato said in a late-June phone interview. “And now that it is where we want it to be – it’s self-sustaining – I told the board, I said ‘Guys, I’m going to focus back on my music career now. It’s what I’m meant to do.’”

So fans can be assured they’ll be seeing new songs from Muscato on a more frequent basis going forward. Muscato has been writing songs in the interim and going forward plans to release a new single every month or two, while building up his touring schedule.

Two of his shows will essentially be hometown events. On July 3, he opens for boy band the Backstreet Boys at Darien Lake Amphitheater, while for his July 6 show at Batavia Downs, he’s opening for hard rockers Theory of a Deadman. Muscato’s presence on these bills says something about the wide appeal of his music.

“It’s great because I love all kinds of music, really. If it’s a good song, it’s a good song,” Muscato said. “But growing up, I loved the Backstreet Boys and I listened to them all the time. I’m such a melody guy. Like if it’s catchy, I’m so hooked. And at the same time, Theory of a Deadman, they’re hard and I love hard rock. I found that across all genres of music, there is an aspect of pop. And those are the types of artists that rise to the top. Even in death metal, they do have certain bands that have catchy melodies and hooks. That’s why I gravitate to these types of bands. 

“So when we open for the Backstreet Boys, we’re going to do a stripped-down acoustic set with our congas and an electric cello will be with me,” he said. “And with my music, I have very catchy choruses. It’s pop-rock-oriented. So I think it lends itself very well to the Backstreet Boys in the way we’re going to do it. On the other side, at the same time, when we’re opening for Theory of a Deadman, that’s going to be a rock show and we’re playing the heavy rock songs that really punch you in the face. But they’re also super catchy.”

Photo: Submitted photo.

Alan Scully is a freelance music feature writer.

Broken Bow Records recording artist Randy Houser headlined an evening of live music at Jam at the Ridge Campground in Le Roy on Saturday.

He had his first hit single in 2008 with "Boots on" and hit the number one spot in 2013 with "How Country Feels."  He opened the show with his #3 chart-topper, "Like a Cowboy."

Photos by Howard Owens

Residents of Le Roy and beyond are invited to “Jam at the Ridge” as the summer concert series continues on June 24.

The Jam at the Ridge Campground, located on Conlon Road, features a natural amphitheater set against a former ski hill. Following the Jam at the Ridge series’ Memorial Day opening, Owner David Luetticke-Archbell expressed his gratitude for the efforts of his team.

“Our business is a family business, so everybody helps everybody,” said Luetticke-Archbell in an interview with The Batavian. “If you can’t bring your two-year-old and their grandparents to our concerts, then we’ve done something wrong.”

The series, centered on country and rock music, features upcoming performances from a range of local and traveling artists. Performers of the group Them Dirty Roses, a Southern American rock band, will play a set of original songs on July 15. Their music exceeds a combined 21 million streams on Spotify’s music streaming platform for their 2017 eponymous EP.

In an interview with The Batavian, guitarist Andrew Davis introduced his bandmates. 

“We’re a four-piece; along with my guitar, James Ford is the lead singer, Ben Crain is the bass player, and Frank Ford is the drummer,” said Davis. “We are all from a small town in Alabama called Gadsden.”

Them Dirty Roses will open for The Steel Woods, an American Country Rock band. Davis expressed his admiration for the Nashville-based performers pending the Le Roy performance. 

“We love the Steelwoods, we’re all good friends,” said Davis. “We’ve played together multiple times in the past— it’s always a good time when we get together.” 

Further, Davis commented on his expectations for Them Dirty Roses’ performance at the July show.

“It’s always a high-energy rock & roll show— if you’re not on your feet at the beginning, you will be by the end of it,” Davis said. “It’s all about a good time for everybody, so we think that it’s definitely going to be a party.”

Following Them Dirty Roses’ performance with The Steel Woods, vocalists and instrumentalists of the band The Georgia Thunderbolts will perform at The Ridge on July 16. Featured in Rolling Stone Magazine’s Country Music Picks, The Georgia Thunderbolts exceed a combined one million streams for their releases on Spotify. Lead singer TJ Lyle introduced his six-member band, featuring drummer Bristol Perry, lead guitarist Riley Couzzourt, rhythm guitarist Logan Tolbert, and bass guitarist Zach Everett.

“Logan and I grew up together, and the bass player Zach was actually Logan’s neighbor,” said Lyle. “Riley and Bristol knew each other from high school.”

As for Le Roy’s performance, Lyle reflected on his experiences throughout the region. 

“We’re starting to pick up a following on the East Coast; we’ve been very well received,” said Lyle. “It’s a wonderful opportunity for us to come back up there. It’s where we have some of our best crowds.”

Tickets for the Jam at the Ridge concerts are available for purchase on the campground website at: https://www.jatrny.com/home. Tickets may also be purchased over the phone by calling the camp store at (585) 768-4883 or visiting The Ridge in person at 8101 Conlon Rd.

The series will resume on June 24 with a performance by Jason Michael Carroll, a country musician from Houston, Texas. 

Photo: The Georgia Thunderbolts live, courtesy of Rory Linton, 2022. Pictured left to right: drummer Bristol Perry, lead guitarist Riley Couzourtt, lead singer TJ Lyle, rhythm guitarist Logan Tolbert, and bass guitarist Zach Everett. 

Press release:

The Batavia Concert Band will be returning for their 96th season of public concerts in Batavia’s Centennial Park (rain venue is the Stuart Steiner Theatre at Genesee Community College).

Concerts will be held on Wednesdays at 7 p.m. on June 22, July 27, July 6, July 13, July 20, July 27 and Aug. 6.

The season will commence with a special memorial sound system dedication to long-time band member Bob Knipe, sponsored by the Batavia Rotary Club.   The July 3rdh concert will feature soloist Dave Hollenbeck, as part of the Pam Frisby Memorial Concert Series.  In addition, there will be concessions and special raffles each week, including some new raffles!

The Batavia Concert Band’s repertoire has something for everyone: marches, Big Band and swing numbers, popular songs from musicals and movies, rock favorites, classical adaptations, and everything in between.  

The Band consists of 45-55 brass, woodwind and percussion players ranging from talented high school students to 60-year veterans. Many have professional experience, others are advanced amateur musicians, but one thing is for sure -- all love to play!

Returning for his ninth season as conductor is John Bailey, Instrumental Music teacher at Pembroke Central School District and the organization is under the leadership of General Manager Jason Smith, along with a talented group of officers and a dedicated Board, led by Board President Bob Conrad.

The July 27th concert will be conducted by Batavia native and resident Joshua Pacino, current music teacher at Notre Dam..

Founded in the early 1920s, the Batavia Concert Band has brought musical pleasure to the region every year except during World War II and 2020 during COVID.

Concerts are currently supported and funded in part by Platinum Sponsors GO ART, Genesee Community College, Brighton Securities, and WBTA, as well as local businesses, program advertisers, service organizations, and individual patrons.  Individuals or businesses interested in supporting the Band should contact a band member at any concert. 

The Batavia Concert Band is also excited to announce the return of radio station WBTA (AM 1490 / FM 100.1) as the Official Media Sponsor for our 2022 summer concert series!

Be on the lookout for appearances by band members on WBTA’s “Main & Center” program, where we will go into some depth about the band’s makeup and its history. Also, be listening for weekly radio ads promoting the musical selections for the upcoming concerts, and announcing our weekly sponsors.

For information, please visit our Facebook page and www.bataviaconcertband.net to learn more about the Band and our sponsors, and “we will see you in the park!” 

What do you call a fun, outdoor, multi-pronged event geared for adults, families and children of all ages?

It’s the Batavia Ramble Explore Arts & Music Festival, of course. Filled with a full day of live bands, African drumming, a larger-than-life puppet show, interactive theater workshop, and Mexican, African and belly dancers, this fest incorporates the best of the sights and sounds for spectators, organizers say.

The festival runs from 10 a.m. to 9 p.m. July 2 at Jackson Square, tucked between Center and Jackson streets, Batavia.

Beginning the arts end of the event at 10 a.m., there will be a children’s camp of arts projects, face painting, temporary tattoos, caricatures, sidewalk chalk drawings, take-home crafts and other assorted activities, GLOW Traditions Director Karen Canning said. The camp will be found at the Explore Art tent, and runs until 5 p.m.

Meanwhile, Artsapalooza has two sessions, from 10:30 a.m. to 12:30 p.m. and 1:30 to 3:30 p.m. Meant especially for families with young children, the palooza features the Springville Center for the Arts touring troupe centered around a theater performance by resident artists using large-sized puppets. This is an interactive theater experience that lures kids into the fun while ukuleles and drumming warm up the crowd, Canning said.

Drop-in visual arts stations encourage kids to make art while also watching the show.

“This promises to be a fun-filled and enriching experience for all ages,” she said. “GO ART! is happy to join with the Ramble to add opportunities to explore dance, visual, theater and diverse musical arts. The Artsapalooza program that we are able to sponsor this year will definitely be something different and fun for everyone to enjoy.”

Later in the afternoon the sounds of authentic, traditional African drumming, songs and dance from Ghana will be led by Quaye Odai of Womba Africa, a cultural drum and dance group that’s part of the Ga Adangbe People in greater Accra, Ghana.

Known as a tribe with a rich history and culture distinctive from other major ethnic groups, these performers first came to the United States in 2019 to compete on America’s Got Talent. They settled into Rochester after the show and now give workshops and performances throughout New York State at schools, libraries, community centers, festivals and parties.

“Anywhere that people are ready to move and renew their body and soul,” she said.

A workshop for families runs from 4 to 5 p.m. with a performance from 5:30 to 6:15 p.m. at the GO ART! stage.

Womba Africa’s performances showcase their unique culture through costumes, instruments, rhythms, dance, and songs, Canning said. The costumes’ colorful Ghanaian fabrics are embedded with Adinkra symbols, with each symbol having a distinctive meaning.

The instruments include drums, xylophones, flutes, and a variety of shakers and bells. They are mostly handmade from wood, bamboo, gourds and seeds or beads, with drumheads from goat, cow and antelope skins. Womba’s songs and rhythms “intertwine in a characteristic African, polyphonic manner, blending distinct voices into a tapestry of rhythm, harmony and color,” she said.

Next up is Troupe Nisaa (pronounced Nee-Say), with many styles of belly dancing, from 6:30 to 7 p.m. Performers put an emphasis on Fusion Style and include “beautiful, strong women who gather together to enjoy the art of bellydance.”

“The Troupe believes strongly in the sisterhood bond of bellydance, and supports and promotes the empowerment of the feminine through their dancing,” she said.

Capping off the lively arts-themed day is Alma de Mexico from 7:15 to 8 p.m.

Karla Slack Alcalá was born and raised in Mexico City, and is in love with her country, customs and traditions, Canning said. From a very young age, Alcalá had a passion for dancing, and at the age of 8 years, her mother “noticed her eagerness and thankfully enrolled her in Mexican folklore dance classes,” she said.

“Karla has over 25 years of teaching experience serving at Casa de Cultura de Acolman, Grupo Mexicatlalli, and at other dance school programs in Mexico. She holds a diploma in Art from CEDART Luis Spota and is an interdisciplinary artist and physical and wellness educator who focuses her efforts on Mexican traditions, Canning said.

“Karla has taught, performed, and choreographed numerous dance programs within the Mexican territory and in other countries like Cuba, Belgium, Spain, Basque country and Guatemala,” she said. “She loves movement and obtained a degree in Physical Education. She believes that sports and dance are perfect tools for our abilities and the development of motor skills. In her dance classes, there was always time to play and integrate sports.”

In 2013, Alcalá left Mexico for the United States and is now making the Rochester area her second home. With a goal to preserve the soul of Mexico, she is leading Alma de Mexico program as the artistic director and is responsible for three different groups of children, youth, and adults. The program’s principal objective is​ to show her Mexican culture through music, costumes, and folkloric dance, Canning said.

“We're very excited to bring Womba Africa Drumming and Dance, Ghanaian master drummers and dancers who have recently moved to the Rochester region. Along with Alma de Mexico, and Nisaa Belly Dance, these artists lead audiences into their unique cultural traditions through a shared enjoyment of rhythm, movement, color, and sheer joy of making music,” she said. “There are many connections audiences will find as they listen and watch -- and move.”

On the musical side, event coordinator Paul Draper has a slew of bands to fill out the day into the evening with tunes. The lineup includes:

• The Ghost Riders
• Groove
• Warren Skye and Friends
• Kissin' Whiskey
• DriVen
• The Trolls 2.0
• Lonesome Road
• Marnie Kay and the Nonblonds
• Beethoven's Dream Group
• Sierra
• Jostepa Trio
• Noah Gokey
• The Bluesway Band
• Zackstreet Boys
• Steve Kruppner
• Tom Ryan and Friends
• PD3
• Knaudt and Chua
• Vette
• Midnight Cruisers
• Brick
• Spare Parts
• High Pines
• The Remediators
• Bad Sign

Top photo: Womba Africa; a prior Batavia Ramble Arts & Music Fest; Womba Africa drummers; Troupe Nisaa; Batavia Ramble. Arts photos submitted by Karen Canning. 2018 File Photos of Batavia Ramble. Photos by Howard Owens.

Press release:

The Batavia Society of Artists is hosting artist Colette Savage Tuesday, June 14th at 7 p.m. at Go-Art/Seymour Place, 201 E. Main St., Batavia.  Colette will be demonstrating painting with pastels.  Non-members are welcome for a $5 fee.

We will also have a very affordable Art Supply and Frame sale before the demo starting at 6:30 p.m., at the break, and after the demo.  The supplies and frames have been donated by the Virginia Carr-Mumford Family to help with the cost of artist demonstrations.

Award-winning artist, Colette Savage, is a native Rochesterian whose love of the area in which she grew up is reflected in the art she produces.  A life-long artist, Colette has painted en plein air for 18 years.  Most of her work is done in pastel, a medium with incredible versatility.  Colette feels that there is always something new and exciting to be discovered when painting with pastel.

Colette received her BA from SUNY College at Brockport but feels that her greatest education has come from frequently working on location where the challenge to produce a finished painting before the light has changed has taught her to work faster, more accurately, and efficiently.

Colette is a member of Suburban Rochester Art Group, the Greater Rochester Plein Air Painters and the Pastel Society of Western NY.

You can see Colette’s extensive body of pastel paintings on the internet.  Colette maintains several websites: www.colettesavage.blogspot.com and www.colettesavage.weebly.com.  You can learn about Colette’s plein air process at www.pastelsenpleinair.blogspot.com/.  She has recently posted several videos on You Tube, demonstrating several pastel painting tutorials.   These can be viewed at (3) Colette Savage - YouTube

In addition to doing demonstrations and workshops, Colette teaches classes in pastel painting, drawing and plein air painting at the Art Stop and through Irondequoit Community Education.  Original paintings and prints can be purchased on her Etsy store at www.etsy.com/shop/ColetteSavage.

When not focusing on art, Colette works at Monroe 2 – Orleans BOCES as a Student Behavioral Assistant and job coach, working with young adults with developmental disabilities at the University of Rochester Medical Center.

 

Press release:

Friday, June 3, 2022, from 5 to 9 p.m. Open Art Night
Bring a project, start a new one, or come and hang out and learn a new art during our first Friday Open Art Session!  The bar is open and stocked with Beer, Wine, Cider, Mead and non alcoholic beverages.  Don't forget to bring a friend!

Saturday, June 4, 2022, from 9 a.m. to 3 p.m. Tie Making for Teens
For this month's teen workshop, teens will be learning how to sew a tie.  They can keep the tie for themselves or give it as a Father's day gift!  This workshop is FREE for teens ages 12-18 and lunch will be provided.  To register for this workshop please call (585) 343-9313 or online at www.goart.org/teens

Thursday, June 9, 2022, from 6:30 to 8:30 p.m. Hooked on Yarn
Want to get hooked on yarn?  Stop in and crochet the night away.  All skill levels welcome but please bring your own supplies.

Friday, June 10, 2022, from 6 to 8:30 p.m. Gallery reception
Stop in Friday, June 10 between 6 and 8:30 p.m. to view a portion of AIDS posters which were once a private collection of Dr. Edward C. Atwater but now are part of University's River Campus Libraries Department of Rare Books, Special Collections, and Preservation.  These posters are on loan from the Rochester Memorial Art Gallery where over 150 posters are currently on display.  For more information on our portion of the exhibit please visit www.goart.org/current-exhibitions

Thursday, June 16, 2022, from 5 to 8 p.m. Gallery Reception
Stop in, Thursday, June 16 between 5 and 8 p.m. for a chance to meet the artists of our two most recent exhibitions.  In the Tavern 2.o.1 Gallery John Midla's "Female Inmate Portraits" is on display.  The exhibit will run from June 1 until July 30, 2022, if you can't make the reception.  In the Oliver's Gallery in the Seymour Dining Room Madeleine Rusch's "Song Lyrics " will be on display from June 15 until July 30.  

An exhibit culled from more than 8,000 posters collected from Batavia native Dr. Edward Atwater is coming to Batavia, Mary Jo Whitman says.

An education director for GO ART!, Whitman has been busy setting up the exhibit at GO ART!, 201 East Main St. Known personally and professionally as a history buff with an affinity for collecting relics of the time, Atwater spied his first poster on a subway, and he never looked back.

The late physician made it his mission to obtain posters about AIDS awareness — from all corners of the globe. Memorial Art Gallery in Rochester is currently hosting the first major exhibition that’s devoted to the University of Rochester’s vast HIV/AIDS-related posters.

“For those of us that didn’t experience the shame, the guilt, or the fear, it’s hard to really put magnitude of the AIDS epidemic into perspective, especially in the early days. I think this exhibit really helps in that capacity. Some of these posters are very eye opening and heart wrenching,” Whitman said to The Batavian. “Some bring to the forefront how awareness advocacy groups tried to dispel the misinformation on contraction and how the impact was beyond the scope of a few marginalized groups. Certainly, I encourage everyone to go to the Memorial Art Gallery to see the larger exhibit, it is worth the trip to Rochester, but I also think even at a much smaller scale, the portion of the exhibit that we have at GO ART! is a must-see.”

An opening reception for Up Against the Wall: Art, Activism and the AIDS Poster has been set for 6 to 8:30 p.m. June 10. GO Art! will have 28 of those posters on display in the Gallery in Seymour Dining Room.

Described as “visually arresting,” the exhibit — even on a smaller scale in Batavia — tell a story of how the very topic of AIDS evolved along with knowledge, awareness and treatments. From the crude but necessary — pictures illustrating how to put on a condom — to the poignant messages that life is to be protected by both men and women, this exhibit covers it all. There are black and white images with somber messages, a superhero named Condoman and vividly colorful graphics, all trying to convey the importance of protection in the face of a deadly disease. These displays aren't without a grain of humor, as one picture shows a man with an umbrella and the words "Don't forget your rubbers."

In those early days in the 1980s, there wasn’t much talk or action to prevent what grew into an epidemic of illness, death, and shame.

“From the beginning of the AIDS epidemic, groups already stigmatized by the community were impacted the most, including gay men and intravenous drug users,” Whitman said. “As if losing members of their community at an alarming rate, and living in fear of catching a deadly disease that the medical community knew little about, was not bad enough, the epidemic was used as a platform to paint people infected with HIV as the dangerous ‘other’ who posed a threat to public safety.

“The prominent rhetoric pushed the idea that the infected were degenerates, that they were dirty, and disease ridden, ultimately bringing HIV/AIDS upon themselves with their undesirable lifestyles,” she said. “This mentality and unfair treatment of infected groups not only had detrimental psychological impacts, the stigma manifested in discrimination throughout many different aspects of society, including health care, education, employment, families, and communities. The shame placed on these individuals, in many regards, enabled the spread of the virus as many were afraid to get tested, take proper precautions, and have open conversations with their partners out of fear of being harassed or even assaulted.”

Atwater’s insights led him on a trail of obtaining posters from various governments and health departments as hard evidence of how this topic was being portrayed in print. Posters were hung up in bathrooms, subways and other public spaces, and he worked diligently to secure copies of them all. His collection ballooned to more than 8,000 posters from more than 130 countries and in several languages.

A medical historian who was devoted to his workplace, University of Rochester Medical Center, Atwater donated his collection, among others, to the university’s River Campus Libraries’ Department of Rare Books, Special Collections and Preservation. Not only do the posters illustrate the differing colors, graphics and words used throughout the world, but they also demonstrated “the wide range of communication strategies used to educate and inform people about this devastating global epidemic,” Whitman said. All of that underscores “how beauty and creativity have grown out of the tragedy and destruction of this deadly virus,” she said.

“Dr. Atwater, a native of Batavia, would have been pleased to have a selection of the posters he collected shown in his hometown,” she said.

The Batavia exhibit will run through June 12. Hours are 11 a.m. to 4 p.m. Wednesdays, 11 a.m. to 9 p.m. Thursdays and Fridays, and 9 a.m. to noon Saturdays. Rochester’s exhibit will be available through June 19.

The Atwater Collection at the University of Rochester highlights how public health posters specific to HIV/AIDS represent “one of the most significant, prolific, and creative chapters in the more than 150-year history of poster art,” said collection curator and Up Against the Wall book editor Jessica Lacher-Feldman.

The AIDS Education Poster Collection (aep.library.rochester.edu) is housed in its entirety in the  Department of Rare Books, Special Collections and Preservation at the U of R, and is the world’s largest single collections of visual resources related to the disease, Lacher-Feldman said. The entire collection has been digitized and is available and fully searchable online.

She encourages viewers to explore the posters and reflect on the scope and impact of HIV/AIDS in our communities and around the world. For more information about the GO ART! exhibit, call (585) 343-9313. For more information about the collection, contact Jessica Lacher-Feldman at JLF@rochester.edu. 

 

Top Photo: Dr. Edward Atwater with some of his poster collection. Photo by J. Adam Fenster, University of Rochester. Mary Jo Whitman shows some of the collection at the GO Art! building, 201 East Main St., Batavia. Photos by Howard Owens.

Christina Woodrow gravitated toward art because it's what she grew up with.  Both of her parents are artists.

"I was just always coloring and drawing, always having supplies around, so art was very intriguing," Woodrow said. "I just grew up doing this. I always wanted to be good at art."

Woodrow was one of several seniors with featured displays, along with works by underclassmen, Wednesday night at Le Roy's Fine Arts night, which included live music from students.

The senior wants to use her drawing skills to use people's bodies as a canvas, becoming a tattoo artist. She will soon start an apprenticeship with Mark Fanara at High Voltage Tattoo in Batavia.  Eventually, she plans to earn a business degree because she would like to own her own tattoo shop.

Top Photo: Christina Woodrow and her mother Nicole Boyce.

Photos by Howard Owens

GO ART! tipped a hat in recognition of the late Lance Anderson’s contributions to the theater arts world with a Lifetime Achievement Award.

The Batavia-based nonprofit honored Anderson during its annual Genean Awards dinner this past weekend.

Anderson, an avid theater buff and longtime member, board member and president of the Lake Plains Players, died in April 2021 due to complications from a stroke. 

He was an active theater performer and director, and he helped to grow the Lake Plains Players and expand the group’s season. Anderson also helped the beginnings of a summer youth program to get going. Anderson expanded the Players’ productions in the summer to include recitals and a children’s theater camp.

Anderson grew up in Orleans County and caught the theater bug in the early 1980s.  He attended Fredonia State College to study voice and became a private vocal teacher while remaining entrenched in the local community theater group Lake Plains Players. 

He was a regularly sought out clinician for master classes and workshops, and he also worked with several other theater groups in the area. 

“Lance instilled a love of theater and singing into so many people and has left a legacy that will carry on, hopefully for generations to come,” said Vocal Music and Arts Teacher Jennifer Neroni-Trupo.

Top photo: The late Lance Anderson doing what he loved during a scene as Charlie Brown. Submitted photos.