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Genesee Symphony Orchestra

Genesee Symphony Orchestra, 10 other organizations receive $20K gifts from estate of Joan Pfeifer

By Mike Pettinella

A $20,000 bequest from the estate of a longtime Batavia physical education teacher is nothing short of a godsend, according to a spokeswoman for the Genesee Symphony Orchestra, a not-for-profit organization in perpetual motion to keep the music alive.

“The directors of the symphony are constantly conducting fundraisers and asking for donations, so when we get money given to us like this, we’re just unbelievably happy,” said Roxie Choate, GSO personnel director.

The GSO was one of 11 different nonprofit entities to receive $20,000 gifts from the estate of Joan Pfeifer, a gym teacher in the Batavia City School District for 36 years prior to her retirement in 1984.

Pfeifer passed away on March 11 of this year at the age of 88.

Choate said she remembered seeing Pfeifer, a lifelong Batavian, at GSO concerts.

“I saw her at the concerts, and my husband played tennis with her at times,” said Choate, adding that Pfeifer (known as Miss Pfeifer to all of her students) was her elementary gym teacher.

Pfeifer, a 1945 Batavia High School graduate, went on to obtain her bachelor’s and master’s degrees from SUNY Brockport and University of Buffalo, respectively.

She was active in the community as a volunteer at United Memorial Medical Center and Meals on Wheels, and also was treasurer of the NYS Softball Officials organization, and had leadership roles in the Genesee Tennis Club and Midtown Tennis Club of Rochester.

She was a member of St. James Episcopal Church.

Choate said the funds from the Pfeifer estate will be go a long way to meeting the GSO’s budgetary requirements.

“We’re going to put part of it into an endowment fund, and we also need a new computer and a program to be able to keep track of payments to the performers, and eventually we will have to buy a new set of tympani,” she said.

David Metzler, Pfeifer’s executor, and partner in the Batavia law firm of Rybak, Metzler and Grasso, said the other beneficiaries were St. James Episcopal Church, Batavia Cemetery Association, Elmwood Cemetery, Genesee Area YMCA, Crossroads House, Genesee Cancer Assistance, HomeCare & Hospice, Humane Society at Lollipop Farms, Volunteers for Animals and Rochester Philharmonic Orchestra.

“These charities were near and dear to her heart,” said Metzler, who noted that he knew Pfeifer for about 10 years. “She was always giving money (to various causes). Yes, she was a very generous person.”

GSO's new conductor leads first official rehearsal

By Howard B. Owens

It was the first official rehearsal Monday night for S. Shade Zajac as the new conductor and musical director for the Genesee Symphony Orchestra.

The season opens Oct. 16 with a concert at St. James Episcopal Church, Batavia. The concert will also feature winners from the GSO young artists competition, Jackie Hager, cello, and Jarod Yap, piano. The program includes: "Shortcut Home," Dana Willson; Concerto in D Minor, Lalo; Concerto in A Minor, Schumann; and "Scheherazade" by Rimsky-Korsako.

Tickets are on sale now through GeneseeSymphony.com

GSO's new conductor performs with string quartet in Batavia

By Howard B. Owens

The Genesee Symphony Orchestra hosted a special performance in Batavia Saturday night at Vinyl Record Revival of the Asteria Quartet.

The quartet includes Shade Zajac, the GSO's new conductor and musical director, along with Evie Boughton on the viola, Kiram Rajamani and Leah McCarthy on violin.

The quartet performed Mozart’s 8th Quartet K. 168, Stostakovich’s 8th Quartet, and Zajac’s own composition, “Willard.”

Between each piece, the members took questions from the audiences about the pieces, the performance and the history of the music.

The evening including a wine tasting hosted by Chris Crocker, owner of the YNGodess Shop.

'Summer Serenade' at Mercy Grove this Sunday will benefit United Way and GSO

By Howard B. Owens

Shade Zajac makes his official debut Sunday as the full-time conductor of the Genesee Symphony Orchestra in a special performance being sponsored by the United Way at Mercy Grove in Le Roy.

Zajac previously conducted the orchestra last season as part of an audition process for the musical director's position with the GSO and was appointed by the GSO board earlier this year.

Mercy Grove is Genesee County's newest event facility and will be a beautiful setting for this special performance.

Tickets are $75 per person and proceeds benefit the United Way and the Genesee Symphony Orchestra.

Party attire is suggested. The event starts at 3:30 p.m. There will be hors d'oeuvres, grazing stations and a cash bar. The GSO performance, "Summer Serenade," begins at 4:45.  

Tickets are available through GSO's website, or at Bank of Castile in Batavia and Le Roy, Roxy's Music, the United Way and GO ART!

Photos are from Monday's rehearsal.

GSO's new, youthful conductor thrilled by the opportunity, but don't call it 'a stepping stone'

By Howard B. Owens

It would probably be a stretch to say that S. Shade Zajac knew from an early age he wanted to be a symphony orchestra conductor. Like every young person, he explored lots of interests growing up.

But then, there was that time his grandfather gave him a baton and he took it to kindergarten for show and tell.

"My mom got a note from my teacher saying, 'We understand that Shade really likes his baton, but some of the other kids are not mature enough to handle sharp, pointing sticks. So, we would ask you kindly not to bring it in anymore,' " Zajac recalled with a chuckle.

Zajac's obvious passion for music, his love of leading an orchestra and his sheer talent are why, at 22, fresh from earning his Bachelor of Music in Music Performance from Nazareth College, Zajac is the new conductor of the Genesee Symphony Orchestra.

He was selected by the GSO Board of Directors after a season in which he and three other conductor candidates each took turns leading the orchestra for one performance. All four shows were well attended and well received, but it was Zajac who was selected to lead the orchestra as it enters its 70th year.

Not too many young conductors get the opportunity to lead a symphony orchestra right out of college and Zajac is thrilled by the opportunity.

"It's an unbelievable experience and an unbelievable opportunity," Zajac said. "There's no substitute for having living people in an ensemble for you to work with. And not just for you to experiment and fail and to grow, but to learn from them and to learn 'okay, what works? What doesn't work? There's a problem. We're not playing this. It's not gelling yet. Why? How can I fix that?' There's only so much you can do on your own, just looking at the music."

It was Zajac's professor at Nazareth, Nancy P. Strelau, who told him about the opening with the GSO, but she warned him not to get his hopes up. His resume would arrive amongst other candidates with doctorate degrees and decades of experience.

"She told me, 'It's going to be really good for you to go through this process. Let's take a look at your resume, and you know, you won't get asked for an interview,' " Zajac recalled.

Then he got an e-mail inviting him to an interview, and he thought that was great, but "they're not going to ask me to do a concert because I'm 21 years old."

In truth, Zajac said, throughout the process, with the search committee, the board, the orchestra, he never felt like his age was an issue.

"I didn't feel like they're not taking me seriously because I'm so young," Zajac said. "They're just looking at me as a musician."

He admits he was nervous at that first rehearsal. Even for conductors in their 40s, he said, orchestras can look at a new conductor like, "Ok, who is this guy?"

"There's always going to be people who don't think I know what they're talking about or 'what is this?' " Zajac said. "They think, 'I can do better than this jerk here.' And I never, through this whole process, I never felt that. I think I said at the concert that I could have been working with these people for 40 years. It just felt, you know, we could get time to work, we could have a laugh, and we could make music, which is what we're supposed to do."

Zajac grew up in Ovid surrounded by music.

His grandparents were musicians and one of his earliest memories is being at their house and hearing Ravel's "Bolero." He was captivated.

"Just about every string player in the world, and probably other orchestra musicians, hate it because it's 15 minutes of the same thing," Zajac said laughing. "I'm probably the only person who loves it."

His next musical stepping stone was Yanni.

"My grandmother had a VHS -- whatever those are -- of 'Yanni Live at the Acropolis,' " Zajac said. "Say what you will about the man and his music but it was very helpful. It taught me that if you're going to be a cool drummer you need to have a lot of drums," which Zajac laughs at now. "So I actually really first started kind of drumming, and I was banging on pots and pans to Yanni. It sounds cliche, but I'm told it's true, and I was given a toy drum set when I was 2 or 3."

His grandfather taught in the Ithaca College School of Music and at his grandparent's house were more than Yanni -- there was Beethoven and Bach, too.

His father was a rock musician, playing guitar in bands, so he also heard a lot of Led Zeppelin, AC/DC and Rush.

"So I had these two very different musical paths and all of which I enjoyed," Zajac said. "Very rarely do I find something I don't like. When I was, I think, 3, my grandfather took me to my first orchestra concert at Ithaca College, and I barely remember it. It was the Stravinsky 'Firebird Suite' and apparently I went home and I just was all about, 'Oh, the timpani was so loud. I love that cello thing.' And I kept talking about the cello and I really wanted to play it, I guess. I started taking lessons when I was 3 or 4."

There was no string program at his middle school, so Zajac started studying with professors in Ithaca, but that duel interest in classical and rock came up again in seventh grade when some other boys asked him to be the drummer in their rock band, and they played together for several years.

"It's amazing how everyone always would freak out," Zajac said. "They only knew me as a cellist, classical music. 'You like rock music? You like jazz?' Absolutely. And it helps me so much with classical music, especially because playing in the rock band was, in a weird way, my first form of chamber music."

Nazareth College was a natural pick for Shade, both because he wanted to study under Nancy Strelau and it's perhaps the only college in the nation that allows undergraduates to conduct. As a result, he's already conducted a few symphony and chamber performance, including the Nazareth College Symphony Orchestra and the Chamber Orchestra, the Finger Lakes Summer Festival Orchestra and the Greater Rochester Women's Philharmonic. He's also participated in workshops, master classes and apprenticeships with the Baltimore Chamber Orchestra and the Northwest Symphony Orchestra.

"All throughout high school, I had other interests," Zajac said. "I enjoy reading, and probably in another lifetime, I would fancy myself a writer, or a painter, but I have always known that somehow I wanted to do music for my life, whatever that meant. If that meant being a rock drummer and touring the world, or being an orchestral musician, or being a conductor. If any of those things happened, I would be happy.

"Conducting," he added, "what really drew me to conducting, I think is, for one, there's so much music in the world, that even if I listened to something new, if I just spent each day for the rest of my life listening to something new, I probably wouldn't begin to scratch everything that's out there. I didn't want to just limit myself to say, just the cello solo repertoire or the quartet repertoire because that is just a skin cell in a body of music that I'm sure is out there."

That vast body of music -- centuries of composers from all seven continents -- will give Zajac much to choose from as he begins to chart out each season of GSO's four performances. He must balance each performance to ensure the pieces work together, that there is the right mixture of audience-pleasing hits as well as new, challenging or unfamiliar works to help spark exploration and interest. That's important both for the audience and the orchestra members, who can grow even more bored than the audience if the same pieces are performed year-after-year.

He knows he's gotten into something special with the GSO, an orchestra that consistently performs at the highest levels and attracts talent from throughout the region, something rare for the few small community orchestras that still survive. He wants to cherish that and nurture it, providing pieces that both please and challenge orchestra members, but not take them further than they're able to go.

"Me and Professor Strelau sat down and said, 'Well, what's good for this orchestra?' And what I chose was a little risky to do. Capriccio Espagnol and Polovtsian Dances. They're meaty pieces. And, quite frankly, they played the hell out of them. And it has nothing whatsoever to do with me. I mean I can only do so much. The conductor is there to inspire and to guide, but they do all the hard work. I just wave my hands. You have to have good players, and then you have to pick a smart repertoire, an engaging repertoire. I think it's a great group."

So good, in fact, that Zajac went through, after the performance last fall, a spell of "post-concert depression." It's a real thing most conductor's experience, he said, because there is so much work and anticipation that go into preparing for a performance, and then just like that, it's over. It's done.

"You're on cloud nine for a little while if it went really well, and then the next day you go, 'Ugh. When do I get to do another one?' And I have not experienced such post-concert depression as after the concert in September. Not only because it was such a great experience, and I felt such a connection, and they played so well, and I thought, 'Even if I get this, I have to wait so long before I get to work with them again.'"

The ideas of what to perform in the coming seasons are already running through his head. Perhaps a whole show of orchestral pieces from movies.

"John Williams is obvious, but Bernard Herrmann is one of my favorite composers," Zajac said. "He did most of the Alfred Hitchcock movies. "Psycho' is obviously the one you think about, but "North By Northwest" and "Marnie" and "Vertigo," they have really stunning music."

He's also interested in exploring local composers.

"Dana Wilson, for example," he said. "I guess he just retired this year, actually, from Ithaca College. Very important composer, relatively local, in the area, and he wrote some really phenomenal stuff. One is called, "Shortcut Home." It's a three or four-minute overture that's vibrant. It's got some jazz influence in it and I think the orchestra would really like it, and it's exciting as a listener. Even for someone who's not into classical music, it's cool. There are trumpets with plungers."

Perhaps, someday, the GSO will even perform one of his own compositions. He wrote his first piece in seventh grade. But he isn't considering that any time, soon, he said. The performances should be about the music and the orchestra, and he's afraid that if he programs one of his own compositions, it will look like it's about him.

There's also a very good chance one of the professors from Nazareth, a world-renowned pianist, will perform Brahms Piano Concerto No. 1. The pianist was in Batavia for Zajac's performance with the GSO and was impressed with the orchestra. He said if Zajac got the job, he would perform.

At 22, with his first appointment as conductor for a symphony orchestra, it's hard not to think the GSO could be just a stepping stone for a young, passionate and talented musician, but Zajac said he doesn't look at it that way. He doesn't even like the term "stepping stone," he said. Maybe there will be opportunities down the road that are too good to pass up, but he said he's committed to helping the GSO grow and thrive, if not for the sake of the GSO, just for the sake of his own enjoyment of music.

"As long as I'm working with musicians who want to be working, and who are just as passionate as I am about what we're doing, I could be conducting the Berlin Philharmonic or I could be conducting the East Podunk Orchestra with five people in it," Zajac said. "My goals are just to make music every single day until I physically can't or die. I think it's very easy to set these goals, like, 'I want to be the new conductor of the Rochester Philharmonic or the Berlin Philharmonic,' and although they're really wonderful names, the name is not what's most important.

"I'm convinced that I can experience just as beautiful of an experience at the GSO or another orchestra."

DISCLOSURE: Howard Owens is a member of the Board of Directors for the Genesee Symphony Orchestra.

Photos: GSO prepares for 'American Made' performance on Sunday

By Howard B. Owens

The Genesee Symphony Orchestra performs at 4 p.m., Sunday, at Elba Central School's auditorium. 

Bryan Eckenrode conducts "American Made," which features nine pieces by American composers, including two local composers, Gary Call Hanley and Ross Chua. Hanley lives in Nashville and his piece, "Plight of the Common Man," has been performed there. Chua is a Batavia High School student and this is the world premier of his work, "Spectacle in Flight."

Also on the program are "Short Overture to an Unwritten Opera" by Don Gillis, the "Paul Bunyan Suite" by William Bergsma, "Blues in 6/8" by Milton Weinstein, three dance episodes from "Rodeo" by Aaron Copland, "Variations on a Theme" by Handel, a piece by Maurice Whitney, "Harry Potter and the Prisoner of Azkaban" by John Williams and "West Side Story" by Leonard Bernstein. 

The Harry Potter piece will be performed with students from the GSO String Workshop.

Tickets can be purchased at the door or online (click here).

Sponsored Post: Purchase tickets now for Genesee Symphony Orchestra's 'American Made'!

By Lisa Ace

Genesee Symphony Orchestra presents: "American Made Concert" on Sunday, April 17. Bryan Eckenrode, conductor. Pre-Concert Talk: 3:15 - 3:30 p.m. Concert at 4 p.m. at the Elba Central School Auditorium. It is located at 57 S. Main St. in Elba.

Featuring participants of the 2016 GSO String Workshop. An All-American lineup of works composed or transcribed by American composers, including Batavians, Gary Call Hanley and Ross Chua.

Program:
Short Overture to an Unwritten Opera | Don Gillis
Rodeo -- Aaron Copland, Saturday Night Waltz, Corral Nocturne, Hoedown
Frankie & Johnny Overture | Maurice C. Whitney
Blues in 6/8 | Milton Weinstein
West Side Story | Leonard Bernstein; Arr. by Jack Mason
A Spectacle in Flight | Ross Chua
Plight of the Common Man | Gary Call Hanley
Paul Bunyan Suite | William Bergsma
Dance of the Blue Ox, Country Dance, Night
Variations on a Theme by Handel | Maurice Whitney
Harry Potter & The Prisoner of Azkaban | John Williams; Arr. by Michael Story

For tickets, please visit: 
GO ART!, Roxy's Music Store, Batavia Senior Center, or in Le Roy at the Bank of Castile. Adults -- $15, Students -- $7, Senior -- $10, Family -- $35 (Parents and Children 12 & under).

Tickets are also available at www.geneseesymphony.com. The Genesee County Symphony is on FACEBOOK. Check out our page and “Friend” us!

This concert is made possible , in part, by the New York State Council on the Arts with the support of the Governor Andrew Cuomo and the New State Legislature.

Young musicians join GSO for final rehearsal for Flutes and Flourishes concert

By Howard B. Owens

About 20 young musicians joined the Genesee Symphony Orchestra today to sit next to the members of the orchestra playing the instrument of their choice during a rehearsal for tomorrow's concert at Genesee Community College.

Tomorrow's concert is called "Flutes and Flourishes" and will be conducted by Nicholas DelBello, one of the four finalists for a permanent appointment as conductor.

Guest artist is Christine Baily Davis on flute, with performances by the Buffalo Brass Choir and Miranda DelBello.

Concertgoers are invited to arrive at GCC's Stuart Steiner Theatre at 3 p.m. for Meet the Orchestra. The concert begins at 4 p.m.

The show includes pieces by Mozart, Samuel Coleridge-Taylor, Franz Doppler and Ottorino Resphighi.

Tickets are available at the door, or purchase online. Click here.

To purchase prints, click here.

GSO performs original composition by Batavia student

By Howard B. Owens

Anytime we cover an entertainment event at Batavia High School, we wind up with a picture of Ross Chua performing. He's very talented and very motivated. This is a photo from a talent show in June.

Besides being a performer, Chua is also a songwriter and composer. On Monday, the Genesee Symphony Orchestra played one of his compositions so it could be recorded to include with his college auditions and interviews.

This may be the first time the GSO performed a composition by a local high school student.

Here's the video:

Photos: GSO will perform Sunday at St. Mary's

By Howard B. Owens

Yunn-Shan Ma will conduct the Genesee Symphony Orchestra at 4 p.m., Sunday, through a program that includes holiday music and performances by the Oakfield-Alabama School Chorus, directed by Danielle Mileham, and Lars Kirvan on cello.

The program includes Leonard Bernstein's Candide Overture, Dvorak's Silent Woods, Hayden's Cello Concerto No. 1, Rimsky-Korsakov's Selections from the Snow Maiden Suite and the Polar Express Suite, among other numbers.

Ma is one of four guest conductors this season under consideration for a permanent position as conductor of the GSO.

Tickets are $15 for adults, $7 for students, $10 for seniors and family packages are available for $35. Tickets can be purchased at the door or at GeneseeSymphony.com.

Zajac to conduct GSO's season opening concert Sunday

By Howard B. Owens

The Genesee Symphony Orchestra will be conducted in the season-opening performance on Sunday by S. Shade Zajac.

Zajac is one of four conductor candidates auditioning for the position for next season.

The graduate of Nazareth College in Rochester is a cellist and composer who currently works as a freelance conductor. His awards include the John Phillip Sousa Award and he's twice won the Nazareth College Symphony Orchestra Concerto/Aria Competition.

Of Sunday's show, he promises a "showcase of sound," with pieces from Korsakoff, Copland, Grieg and Borodin.

The concert will also feature Raymond Feng, of Rochester, on piano. Feng was winner of the Young Artist Competition.

To purchase tickets, visit the GSO Web site.

Photos: GSO plays City Centre

By Howard B. Owens

Heavy rain didn't dampen the spirit of Friday's Genesee Symphony Orchestra concert, which was moved from Jackson Square to City Centre because of the storms. As promised, the GSO delivered a lively and energetic show.

Tonight's Jackson Square concert of GSO moved to Centre City mall due to weather concerns

By Billie Owens

Tonight's Downtown concert in Jackson Square, featuring the Genesee Symphony Orchestra, has been moved inside the Batavia Centre City mall due to weather concerns. Bring your own seating. Concert starts at 7 p.m. but unlike the others in the 16th Annual Jackson Square Concert Series, this one is only one hour long ('til 8 p.m.).

The series is offered by the Downtown Batavia Business Improvement District (BID) on Fridays, June 12th – Aug. 28th. Free to the public. Food and refreshments available.

More Info: Don Burkel at B.I.D. at 585-344-0900. Visit: www.downtownbataviany.com

GSO to perform special concert Friday in Jackson Square

By Howard B. Owens

Press release:

The Genesee Symphony Orchestra is having a full-orchestra concert this Friday, June 12, 7 p.m. at Jackson Square. The GSO musicians are reaching out to our Batavia audience in hopes of having an entertaining concert for all ages. The program will be conducted and led by GSO concertmaster Gregory Docenko. Greg is a phenomenal violinist and will be playing his electric violin while conducting the orchestra through the program.

Greg has designed the program with musical arrangements that will get the audience whistling and clapping. There is a portion of the program that will feature the GSO Jazzers, and Blue Grass Fiddles. Howard Owens will be featured on his typewriter during the "Typewriter" by LeRoy Anderson. State Assemblyman Steve Hawley will read the narrative/story of "The Frog Prince" with orchestra accompaniment. "Stars and Stripes Forever" and a brass rendition of "America the Beautiful" will fill our patriotic hearts.

Though Jackson Square concerts are free, the GSO will be accepting donations to support our orchestra for the upcoming 69th season. So, bring your chairs and enjoy our very entertaining hour-long concert. The GSO is proud to continue and support our area's cultural traditions.

Photos by Howard Owens, rehearsal Monday evening in the band room at Batavia HS.

MOVED TO INSIDE MALL -- Jackson Square Concert Downtown: Genesee Symphony Orchestra

By Billie Owens

The Downtown Batavia Business Improvement District (BID) is sponsoring the 16th Annual Jackson Square Concert Series, each one (except the first one, a GSO concert) is from 7 to 9 p.m. on Fridays, June 12th – Aug. 28th, in Downtown Batavia. Free to the public. Food and refreshments available. Rain Days at Batavia City Centre. Bring your own seating. More Info: Don Burkel at B.I.D. at 585-344-0900. Visit: www.downtownbataviany.com

The Jackson Square Concerts “ Friday Nights In The Square” will be featuring:

Event Date and Time
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