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Le Roy's annual art show displays the wide interests and talents of students

By Howard B. Owens
rylee burns le roy art
Rylee Burns, a senior at Le Roy High School, discusses her art during the school's annual art show on Wednesday.
Photo by Howard Owens.

Rylee Burns started her art journey for fun when she was younger, and she intends to keep it that way.  Being an artist is not her career ambition.

After her graduation from Le Roy High School on June 24, she will head to SUNY Geneseo to major in chemistry.

"I really, really enjoy science, and I want to be a forensic scientist after college," Rylee said. "So, in thinking about starting that journey, I decided to start with chemistry."

She still may take an art class or two in college, she said, because she enjoys art, too.

It's not unusual for students, even ones as talented as Rylee, to follow career paths outside of art, said Ieon Koukides, a teacher Rylee said has inspired her to stretch herself artistically.

"Their interests are absolutely different from what they might be doing in the class, from science to music, to sports, or whatever it might be," said Koukides, who himself has interests outside of art -- he's also Le Roy's head baseball coach.  "So it's kind of nice that I get to have kids of all different interest levels, and what they go on to do is awesome to me because what I get to do is give them an avenue to appreciate art and hopefully produce some pretty neat stuff while they're in high school."

Rylee was among several seniors who prepared a wall of their paintings and drawings for Le Roy's annual art show on Wednesday, which also featured the work of underclass members.

As an artist, Rylee tends to be detail-oriented, preferring fine brush strokes.  As a sophomore, she painted a church door because she liked the detail of it, and in her junior year, Koukides encouraged her to find another church architecture theme, so she concentrated on a stained glass window.  To complete the cycle this year, she painted a church door key.

"I'm really fine with my brushes," Rylee said. "I used really tiny brushes for all three of these. I like things to go the way I want them to, so I felt really nice with these because I wanted the detail."

Koukides said he typically picks a project a student did in their sophomore year and encourages them each year to find a new approach to the same or similar subject.

"I knew she could excel at it because she's super confident in what she's doing," Koukides said. "Whether it's painting or colored pencil,  it's pretty easy to gear her towards that project and see her excel."

He said Rylee's confidence has "allowed her to soar on any project after she has learned the techniques."

The art show was moved to the auditorium stage this year (instead of the library) and the stage was filled with adults and students appreciating the works on display.  

Koukides said he's proud to see the school's art students get the recognition of an appreciative audience.

"I always say people get to see what I see every day," Koukides said. "That's what makes coming to work great for me every day. I know what's here, and I see it every day. But until we put it up like this and have everybody else view it, I don't think everybody truly appreciates what happens here in this small little community, and how talented the kids are."

Photos by Howard Owens.

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GO ART! Offers Class in Ukrainian Egg Decorating

By Press Release
File photo by GO Art!
Submitted photo.

Press Release:

GO ART! is offering a special 2-session class in Ukrainian Egg Decorating, or pysanky, with master pysankar artist, Irene Grassman, as part of our Explore Art! program. The classes will be held on Saturday, May 6 and May 13, from 9:30 am to 12:30 pm at GO ART!, 201 East Main St., Batavia. 

The class is open to participants age 12 and older, those who sign up should expect to attend both classes to complete the project. The cost is $25 per person, in total, and all materials and tools will be provided. Contact GO ART! at 585-343-9313, email info@goart.org, or sign up online at goart.org. Registration is requested by May 3. 

Irene Czolacz Grassmann was born in Germany in a displaced persons camp and came to America with her parents in 1952. While quickly adapting and embracing the customs of their new homeland, Irene’s parents continued to observe and instill their beautiful Ukrainian culture and heritage in their children. 

From an early age, Irene was interested in various Ukrainian arts, including embroidery and ceramics, but fell in love with the art of writing Pysanky (decorated eggs) continues to this day. She has taught history and the process of the Pysanka through BOCES-Continuing Education Programs; the Castellani Art Museum at Niagara University; various cultural festivals in Buffalo, Kerhonkson, and Rochester, as well as teaching the Art of Pysanky at a Ukrainian American Youth Association Arts and Crafts Camp in Ellenville, NY in the Catskills for 17 years.

Participants will learn about traditional motifs, symbols, designs and colors, many of which are used to wish good luck and prosperity to the receiver of the egg. The word Pysanka is derived from the Ukrainian word, “pysaty” which means to write—which is how artists describe the process of creating their beautiful and intricate designs.

File photo provided by GO Art!.

Three artists open new shows at GO ART!

By Howard B. Owens

It was showtime on Thursday at GO ART! for Brian Kemp and two other artists with new solo shows in one of Seymour Place's galleries.

While Kemp had won multiple local art competitions over the years, this is his first solo show.

Kemp describes his creative process as intuitive and almost childlike, and he takes found materials of wood and metal along with Duck cloth for painting to create unique and original pieces, all while listening to an assortment of tunes for inspiration.

"I love creating in this manner as it allows for unplanned expression," Kemp said. "It amazes me what comes out of my works as they develop."

Also opening on Thursday was a show by Bryan Wright. A Batavia resident, Wright is originally from Charleston.  As a child, he was drawn to the seaside and water, which remains an inspiration for his work in various mediums. 

The collection was inspired, he said, by countless hours spent digging and rummaging through the earth in search of unique rocks, shells, sand dollars, and even an occasional shark's tooth. 

"I truly enjoy working with my hands and find my training in graphic design and basic metal fabricating has proven to be practical when fixing things and effective when creating art with such rugged material," he said.

The two pieces below are by John Midla, who also has a new show at GO ART!

Photos by Jim Burns.

BSA's monthly art demonstration focused on collage multimedia

By Press Release

Press release:

The Batavia Society of Artists is hosting artist Karen Crittenden on Tuesday, March 14, at Go-Art/Seymour Place, 201 E. Main St., in Batavia at 7 p.m.  Karen will be demonstrating hands-on collage multimedia.  all materials will be provided at no charge.  Tavern 2.0.1. will be open for cash purchases.  Non-members are welcome with a $5 fee.  We are always accepting new members, Single $30, Couples $50, and Students/Veterans $10.

Karen is a lifelong artist who has had a love of all things colorful and accessible.  Her current work has been based in collage/mixed media and photography.  She has traveled to a lot of wonderful places, and this often has an effect on her work.

In recent times she has been collecting and working on making books, journals and junk journals with all the fun vintage and handmade ephemera to go inside those books.  She also enjoys designing and stitching her own embroidery designs.

Karen owns and operates a niche yarn and media business where she offers group and private lessons in a variety of media.  

BHS student artwork on display at GO ART!

By Howard B. Owens

The work of Batavia High School art students is on display on the second floor of GO ART! through Feb. 27.

The gallery, at 201 East Main St., Batavia, hosted a show opening on Wednesday evening.

Photos by Howard Owens.

Artist David Burke demonstrates Intuitive Painting

By Howard B. Owens

Local artist David F. Burke provided Tuesday's artist demo on Intuitive Painting for the Batavia Society of Artists and GO ART!

Intuitive Painting, Burke said, is what happens when you have no preconceived image in your head about your finished work. You let the blank canvas lead you each step of the way. 

There are no rules, no restraints.

"You just allow for each paint stroke or mark that you have made to speak to you about the next one," he said. "You are freed from the needless self-analyzing or overly scrutinizing your work. It can be meditative and self-reflective as you explore all the possible combinations of color, value, shape, visual texture, that show up through your own personal style."

Youth group takes a trip to GO Art! and Peru

By Joanne Beck

A creamy casserole resembling layered lasagna with a Peruvian twist, and a sweet finale of cinnamon-dusted milk custard, wedged between a tour of an arts facility and hands-on exercises of creative works.

Not too shabby of a school day for a group of 13 students visiting GO Art! Wednesday in Batavia.

The day was part of a Youth Bureau Genesee Youth Leadership program organized by Program Coordinator Chelsea Elliott. The program offers a different each month from October through May, and February is about Arts and Culture. Elliott worked with GO Art! staff for the artistic component, and staff, in turn, reached out to members of the Peruvian Outreach Project to provide the cultural aspect.

“And they did all the behind-the-scenes work. They are the ones that thought of who would cook the meal and what the culture would be. And I let them kind of run with it. Because I knew that they would have the best connections to make this day be the best for our kids,” Elliott said after the cooking demonstration. “So each month we focus on different topics. We begin at BOCES, that's our home base. And then we go out to the community for the rest of the day, basically, for them to learn more about their community. What happens behind the scenes … a lot of these kids don't even know anything about art until today. So it's opening their eyes to other things that go on in the community, other than just what goes on in their own little towns.

"We always hope that … they can go back to their schools and tell their peers, ‘there's this great program that's in the community, you know, we should get more involved,’" she said. "Because, again, if they don't know about it, they don't know about it.”

The group of 13 students represented grades nine through 12 in five different school districts of Batavia, Byron-Bergen, Le Roy, Alexander and Oakfield. GO Art! Executive Director Gregory Hallock gave them a tour of the East Main Street facility, and Christian Houlihan of the Peruvian Outreach Project talked about his experience as an orphan who was adopted and brought to the United States and now travels back to Peru to assist his native homeland.

The students were then seated next to the kitchen while Veronica Collantes demonstrated how to assemble the authentic causa rellena dish of layered potatoes with lemon oil, chicken salad, and avocados. A dish piled high and a bright yellow, it was then served for lunch as Latin-themed music played in the background.

The kids were also given a cup of inca kola, a sugary yellow Peruvian drink, and topped off their meals with leche asada, a creamy milk custard. Elliott described it as similar to a rice pudding. No one left much on their plates or in the dessert glasses.

“It’s good, I never had anything like it,” 15-year-old Mary Engelhardt said.

Mary has known for a while now that she wants to go into law enforcement and become a deputy, so when Elliott recommended that she apply for the leadership program, that’s just what the Le Roy 10th-grader did. Other program topics include criminal justice, community service, and agriculture. It wasn’t too difficult to figure out Mary’s favorite outing so far: criminal justice, which included a visit to the jail.

“I’ve been before, but I liked it. It’s just what I want to do,” she said. “Today has been very interesting. I’m not interested in art, but it’s interesting.”

Neither Mary nor Elijah Loysen, a ninth-grader from Oakfield, had ever been to the GO Art! building. Elijah enjoyed the visit, he said.

“I think the art and ambiance of the building and the colors are aesthetically pleasing,” he said.

Kathy Houlihan wanted to educate the kids about Peru and the outreach project, while also potentially recruiting a few volunteers for future events, including a dinner and basket raffle in March at GO Art!.

“If anyone likes chopping vegetables, we could use the help,” she said. 

After lunch, the students were going to meet up with artists Susan Ferrari Rowley and Gaitrie Subryan for some hands-on experience. This type of visit from the Youth Bureau only happens once a year, Education Director/SCR Coordinator Mary Jo Whitman said.

“It's very exciting. A lot of people don't realize that our building is open to the public. So having them come in and realizing, okay, well, this is actually a really cool building,” Whitman said. “There's a lot of artwork, and we have a ton of programming, a lot of stuff that might be actually interesting to them.”

Top Photo of Veronica Collantes demonstrating how to make causa rellena; Kathy Houlihan serving leche asada; students enjoying lunch at GO Art!; and watching the demonstration in between a tour and hands-on art project. Photos by Joanne Beck.

GO ART! celebrates talents of members and staff during annual exhibit

By Press Release

Press Release:

Every year GO ART! holds its Annual Members’ Exhibit which features artwork of its members. This year, alongside the members’ exhibit, the organization will also host exhibitions which showcase the work of staff members. Opening receptions for the member and staff exhibits will be held Thursday, Dec. 15, from 5 to 8 p.m. at GO ART! located at 201 East Main St., Batavia.

“The Annual Members’ Exhibit is a wonderful opportunity to celebrate the talent of our members. I look forward to the exhibit and seeing our members’ work every year,” says Mary Jo Whitman, who coordinates GO ART!’s art exhibits. “I am very excited about the addition of the staff exhibits this year. I think that everyone who knows us, or at least has heard of GO ART!, knows we are passionate about the arts. We invest a lot of time and energy into providing programming, events, opportunities, and resources for artists and the community.

"Most people do not realize that we are all artists ourselves, however, as our artistic practices often take a back seat to the work that we do," Whitman said. "It is exciting to give the community a chance to see us in a different role. Pairing staff exhibits with the Annual Member’s Exhibits provides a great opportunity to showcase the talents of the organization as a whole.”

The Annual Members’ Exhibit will be on display in the Tompkins Bank of Castile Main Gallery December 14 - January 28. Pictures and Prose by Jodi Fisher, Program Coordinator, will be on display Dec. 1 - Feb. 18 in The Batavia Club Gallery.

Executive Director Gregory Hallock’s installation, My Journey, will be on display in The Batavia Rotary Club Gallery December 7 - December 23. Deconstructed and Raw, the works of Education and SCR Director, Mary Jo Whitman, will be on display in the Oliver’s Gallery December 1 - February 18.

For more information on GO ART!’s exhibits, contact Mary Jo Whitman at mjwhitman@goart.org.

Top Photo: Sugar Maple Canopy by Jodi Fisher; and above, The Disillusioned by Mary Jo Whitman. Submitted photos.

BSA Winter Art Exhibit reception Dec. 8

By Joanne Beck

Press Release

Batavia Society of Artists is having its Winter Art Exhibit at the Richmond Memorial Library's Gallery Room for the month of December.  All are welcome to the Free Opening Reception Thursday, Dec. 8 from 6:30 to 8 p.m., with light refreshments.

Every Winter Show we highlight one of our members. This show's "Featured Artist" is David Burke.  We are having a monetary prize for the People's Choice Award that night.  So please come to the Opening Reception and vote for your favorite piece of art!

The hanging date for entries is this coming Saturday, Dec. 4. Entry forms are due soon, and artists are asked to email your artwork information and attach payment to the back of your artwork when you drop it off starting Thursday and Friday.

The entry fee is $15, checks payable to Batavia Society of Artists.  Entry fees may also be sent to: Teresa Tamfer, 157 Hutchins St., Batavia, NY, 14020.

Artwork may be dropped off from 9 a.m. to 9 p.m. on Thursday or 9 a.m. to 5 p.m. Friday at the library, 19 Ross St., Batavia.

Click here For more information about BSA.

File photo of BSA Winter Show, by Howard Owens.

Batavia native recalls his early years when a teacher guided his path

By Joanne Beck

Artist and Batavia native Anthony Terrell was amongst friends and family during a showing of his paintings Thursday at Haxton Memorial Library.

Not just any paintings, this collection of six pastel-hued works was in memory of his sister Onnalee Berrios. “Amethyst Clouds Over Oakfield” was an appropriate title for each piece washed in shades of purples, pinks and blues.

The evening was about remembering Onnie, as he called her, and reconnecting family members, fellow artists, friends, and the Blue Devils' “60s Girls,” made up of 1960 Batavia High School graduates, which included Terrell’s sister Veronica.

Living in New York City, Terrell gets asked why he likes to come here to visit. Because people "people treat me nice," he said.

He would have been remiss not to make special note of one of those people who made an impact on his career, he said. His former high school art teacher Mary Tyler certainly deserves credit for her kind critiques.

Early on, she looked at Terrell's artwork and told him that he had a gift to pursue.

“It wasn’t good,” he said. “But she told me that, and I thought I was Picasso.

“And I gotta tell you, she was absolutely instrumental to where I am now. You know the work when you're that young, and you're trying to be an artist, you're generally copying Picasso, Modigliani, Monet, all the famous artists, you're trying to capture what they've done,” he said. “I wasn't capturing it, but she kept encouraging me, because, she said, ‘I think you have talent. I think you should stick to it.’ And those are the days that I was using old cans of house paint, and Red Devil paints that we used to paint our bicycles with, anything that we could get our hands on. And every time I give a talk about my artwork, I thank her because it was because of her.”

Tyler's influence still runs strongly through him, now as an accomplished NYC artist with Sphinx Works. As life goes, he discovered the "it's a small world" element in Batavia, by meeting someone who lives in Tyler's former home, and taking a tour while reminiscing about his late teacher. Her backyard was filled with all sorts of botanicals in gardens that seemed fitting for an art lover. She mentored him through encouraging words, he said. 

"Yeah, she took a liking to me. There were only three black students in the school. Me, my sister and Rick Thomas, who still lives in Batavia," Terrell said. " At the time, the Beatles just got started making it big in '63, and then the Rolling Stones and the Kinks ... Nixon had come in at '68, right after I graduated, but Kennedy really made a big difference. So the economy started getting a boost, because there's always a sense of promise, you know, from when Kennedy made his speech to Martin Luther King was coming, and so forth."

Being in only one of three African American families wasn't always easy, he said. At one point, his parents wanted to buy a particular home in the city, but Batavia was "very conservative, and it was not pro-African Americans at all," he said. 

"The neighbors, our neighbors, put up a petition saying that 'tell the owner that the neighborhood did not want blacks living in their neighborhood,' even though we were well respected. And we were forced to get a house when we looked and looked and looked, and looked again," he said. "But when they see your color, even Batavia ... we ended up getting 14 Lehigh Avenue, which is a house that nobody wanted because it was next to the railroad tracks."

He attended Jackson Elementary at that time, and then, when in the former Junior-Senior High School on Ross Street, he wasn't considered one of the smart kids. He didn't like science and math, but teachers wanted kids to pass, so they would offer different levels of studies, Terrell said. He enrolled in shop class. and it was there that he met Mary Tyler.

"I didn't really know her, but I liked being around the easels. And it wasn't math and it wasn't science, which I never was good at in high school," he said. "I just literally fell in love with Mary Tyler. She encouraged me, so I haven't forgotten my roots."

Sounds just like his sister Onnie. His late sister was supportive, understanding, and a guiding force to help a young boy navigate through small-town ways and limited rural opportunities.

“I loved coming over to her house. And the pictures which I’m going to talk about, are a reflection of that,” he said to the group of about 25 attendees. “If you could connect with a person that would kind of keep you straight on the path, as she did, it was very beneficial to me.”

Not long after graduating from BHS in 1967, Terrell went to live in California for a few months before returning to work at Doehler-Jarvis in Batavia. In April 1969, while many of his classmates had gone on to college, which Terrell’s family couldn’t afford, he was drafted into military service. It was during the Vietnam era, and he still remembers reporting for duty on the second floor of the former Mancuso’s Theater on Main Street.

He and his fellow recruits were processed, put on a bus, issued ID “dog” tags and then sent by plane to Fort Dix, NJ. He served in the Army until May 1971, and returned to a job saved for him by Doehler. "I got a promotion," he said, going from melting down assorted metals — a hard, sweaty job — to making casts for Briggs Stratton lawnmowers and General Motors car parts. Business was booming at the time, he said, thanks to a special steering column part called a saginaw, which Doehler made for GM.

Still, it wasn't really a fulfilling job, so he eventually decided -- with some insistence from his mom -- to get out of town. He packed up for NYC in January 1972. His brother Francis was attending law school there.

"It was a very cold morning, very cold," he said. "My mother had called my brother and told him to 'get your brother a job.'"

Terrell learned his way around, taking his first subway and having “no idea where I was going.”

“I was really naive," he said. "It was really frightening for me."

He did get a job by the end of his first week and stuck it out for a year before quitting and getting another job for a dry cleaning service. He also met his wife at that first place that dealt with stocks and bonds. Gwendolyn worked in the legal department, and it must have been meant to be: they have now been married for 50 years.

She was one of the people he thanked during the reception, attributing her patience and support for his longtime success as a full-time artist. 

He ran through his thank-yous, which included his mother, who brought him into the world, and Oakfield resident and former art teacher Terry Kolb, who helped to organize the reception. Terrell then reviewed each piece of his collection in memory of Onnie, who died in 2003 at age 64.

He recalled how they would sit in rocking chairs with their feet up on the porch railing, going back and forth while enjoying the time together. Each scene and related memory depicted a strong brother-sister bond.

Terrell described how some unknown inspiration prompted him to put masking tape over his initial pictures, in varying directions for an illustration board. Once knowing that, the novice observer can note how the paintings have geometric movement of lines within a sea of pastel colors.

All of it was for his beloved sister, “because I love her and I miss her,” he said.

“But she’s still in my heart,” he said.

For those that missed the debut Thursday, Terrell’s pieces will be at the library from 9 a.m. to noon Saturday.

Learn more about Onnalee Berrios HERE.

Top Photo: Batavia native Anthony Terrell, now of New York City, talks about the paintings he created for his late sister during a reception Thursday evening at Haxton Memorial Library in Oakfield. Photo above is of Terrell with Terry Kolb of Oakfield. Photos by Joanne Beck.

Photos: New mural at GO ART! designed to send a message of welcome to all people

By Howard B. Owens

Dan Butler, an artist from Perry, is nearing completion of a mural on the back of Seymour Place, the home of GO ART!, inspired by an idea presented to him by Director Gregory Hallock: People of many different races holding flowers.

"He wanted to welcome everybody," Butler said. "They're all welcome here to come and enjoy art or create it."

Butler has been assisted by Jill Pettigrew, who has painted the flowers.

Butler said he's enjoyed the project.

"I get to be outside and I get to paint," Butler said. "One of my specialties is portraits and faces so I get to work on what I do best and throw a lot of color and flowers into it and have a good time."

Bench dedication in Le Roy part of ongoing revitalization effort in the Village

By Howard B. Owens

History, art, culture, and community all come together with the installation of four new black metal benches in the Village of Le Roy.

The project is the inspiration of Sarah Farmer, a co-owner of Farmer's Creekside Inn, and a businesswoman who splits time between Rochester and Le Roy.

"This all started in downtown Rochester where we were trying to get away from all the chaos of the riots and all the bad things going on, all the hate. And trying to do some soul-searching with some association members and businesses, and we ended up coming up with this project, called the Black Bench Initiative," Farmer said prior to a ribbon-cutting outside the Creekside Inn on Friday. "Basically, it is something creating a memory of historical significance of different landmarks and important things to each community that they're in."

For Le Roy, the touchstones are fishing in the Oatka Creek, the Barn Quilt Trail, the Jell-O Museum, and a Ginkgo tree. 

Rochester-area artist Stacey Mrva worked with Farmer on the themes and designed and built the benches.

Mrva started welding sculptures in steel while an art student at Syracuse University, and she has seen several of her sculptures become public art in the region.

"I'm an artist but also a craftsperson," Mrva said. "I make things and I like to work with my hands, but most of all, I like to create pieces that can be part of our everyday lives, making art accessible."

The project was made possible with the cooperation of the Village of Le Roy and a $15,000 grant from NYS Homes & Community Renewal through the Main Street Program.

"One of the things that we hope to do in the future is get some more suggestions to do six additional benches along Main Street," Farmer said. "It just creates a sense of gathering, an ability to come down Main Street."

Sarah Farmer and her father-in-law Bill Farmer have more plans to help revitalize downtown Le Roy.

They are going to turn the former bank building across the street into a multi-use event space -- a ballroom, a concert hall, a conference space that will accommodate up to 175 people.

"It will have a bar, a small dining room and a full kitchen," Sarah said. "You can outsource it for private events and weddings and we're gonna donate space to the community for youth banquets and proms and stuff like that."

The top floors will be converted to apartments, she said.

The Farmers also purchased the building next door that used to be a coffee house.  They hope to turn that into a bakery.

"We have to offer a breakfast at Creekside for hotel guests," Farmer said. "Ideally, it'd be really nice to be able to have a place where they can get breakfast earlier than nine."

Her inspiration for restoration and community involvement is her Bill Farmer, she said, who invested more than a million dollars and several years of work to restore the Creekside after a devastating fire gutted it and left it vacant for more than a decade. It's literally become a cornerstone of the Village of Le Roy since reopening in 2017.

"Main Street has been near and dear to my family," Farmer said. "My fearless leader, my mentor, Bill Farmer, he started this very much in the mentality of restoring historic Main Street and of revitalizing the community. I very much have taken that and been very much inspired by that. And I'm so excited to see what we can do in the future. And I'm just so grateful for being able to get this project (the bench project) here."

Top photo: Sarah Farmer, Stacey Mrva, and Shelley Stein, Le Roy's representative on the Genesee County Legislature.

Photos by Howard Owens

Art and nature come together for a project in full bloom

By Joanne Beck

It may come as no surprise that the Community Garden in Batavia is filled with colorful flowers, vegetables and foliage.

That scenery, however, is a flow of artistry painted on each side of five panels displayed at the garden on MacArthur Drive. At 8 feet tall by 4 feet wide, the panels complement the 50 or so plots of land — dotted with colorful flowers and vegetables — being tended to by local residents and organizations.

Artist David Burke of Bergen was commissioned to do the paintings. He is pleased with the outcome and hopes that the public will visit the garden area to see them.

“I just wish I started doing what I'm doing 30 years ago or more, but just the last six, seven years I had a little more free time. I was homeschooling our kids for a while two years ago so I was just always kind of busy, but I just realized I loved painting,” Burke said during an interview at the garden. “And so about seven years ago I just got to do way more of it, and the more I do it, the better I get, and the more I enjoy it.”

Community Garden folks had planned — twice, actually — for an unveiling celebration at the site, however, Mother Nature, as she’s known to do on occasion, had other plans. Rain and wind forced organizers to postpone each unveiling, including a week ago. Jocelyn Sikorski, executive director of Cornell Cooperative Extension, said that perhaps it will be moved to next spring.

In the meantime, spectators can view the artwork from the park side and the high school side. The project was grant-funded and the original idea was “to bring some art up to the garden,” garden committee secretary Richard Beatty said.

Beatty worked on the state grant application for $5,000, which was awarded through Genesee-Orleans Regional Arts Council in December 2021. The money was used for the purchase of materials and to hire Burke — through a committee application process — for 10 panels. They were going to be individual hangings, but discussions about strong winds and how to best place them resulted in five panels, with one mural on each side of tall wooden backboards just inside the southern fence.

The artwork took Burke about two and a half weeks to complete, beginning with one and then working his way down the line so that all 10 were a cohesive mural, as originally planned. A member of GO Art! and artist for both indoor and outside works at the East Main Street site, Bergen Library and Grass Roots, Burke’s muse was often nature — “we did a lot of landscaping and gardening” — he said about himself and his wife.

He recalled having done his first oil painting at 10, and that it was so much fun. As he grew older, though, it became more of an “off and on” thing, the 66-year-old said.

Burke has more recently gotten into abstract expressionism versus what’s in the garden: very large, colorful, unmistakable creations of nature. He wishes that he had taken more art classes at Genesee Community College, where he attended in the mid-70s, he said.

“I just really, really enjoy the tactile physical act of painting,” he said.

Working out the concerns of wind wreaking a little havoc with the artwork, and transfer of the garden from the city to Genesee County’s Cooperative Extension took a little time, Beatty said, but garden committee members are happy with the final layout.

“I think everything turned out very well. They look great,” he said. David is set up so that … they're a nice theme on both sides. So this year, you know, we'll see one side and next year we'll see the other side, and having a vantage point for the folks up at the ballgame.”

The painted panels are situated between a chainlink fence and an audience of pumpkins, vivid pink zinnias and cornstalks. Gardeners are planning to augment those with sunflowers next year, Beatty said.

Committee member and Master Gardener RaeAnn Engler appreciates the grassroots type of project the murals have become.

“The gardeners get to see it and it's colorful and it's cheerful, and I guess that's it. It just accentuates the garden, and in what we're doing here, and it's a mix of vegetables and flowers, and color. The garden itself is to see it when we first plant it is so it's so neat to watch it develop,” committee Engler said. “So far we've got corn growing in front of the panels, which are kind of, one could say they're blocking it, but others say it's accentuating it. It's just really neat how integrated it is.”

The city of Batavia was the original recipient of the grant since the garden was still under city ownership in 2021, however, earlier this year City Council voted to transfer the garden over to Cooperative Extension since it seemed more aligned with the Extension’s goals and Master Gardener program. That transfer has also opened up the garden and board memberships to anyone from Genesee County.

The Community Garden is “a very inexpensive proposition,” Beatty said, listing the prices for three different options ranging from $25 to $35.

“There's full water service. We have a whole bunch of master gardeners that are available for consultation for bugs and the various things that afflict one's garden. So the garden itself is great,” he said. “I have to admit, I was a little dubious of the whole artwork thing, but boy, it looks terrific. It really, really does.”

“A nice plus is to give David some more work … it helps an artist continue to be an artist,” Beatty said. “Sure, that's very important.”

Photos: Artist David Burke of Bergen shows the artwork he painted for the Community Garden in Batavia. The garden is on MacArthur Drive, next to the tennis courts behind Batavia High School. Photos by Joanne Beck.

Muralist Vinny DelPlato dies at age 65

By Howard B. Owens

Vincent “Vincenzo” "Vinny" DelPlato, 65, whose art has enlivened much of Batavia for decades, including Jackson Square, has passed away.

He died Aug. 22 due to complications of diabetes, according to an obituary published today.

While the Jackson Square murals may be his best known, he painted murals on other Batavia buildings -- some of which have been covered in recent years -- as well as a giant mural in Oakfield depicting the village's history.

The obit:

Vin was a talented artist. He saw the beauty in God’s creation. With his paints and brushes, he tried to capture that beauty on canvas, whether it was a portrait of someone’s loved one, a family pet, or the ever-changing scenes of nature. He created true works of art to be admired for years to come.

In 2009, he painted a mural inside what was becoming Next Level Fitness at Main and Jackson streets, inspired by a famous photograph (photographer unknown) of men eating lunch on a beam on the 69th floor of the RCA Building under construction in Manhattan in 1932 (see video below).

File photos by Howard Owens.

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David Burke wins BSA competition in summer show

By Howard B. Owens

David Burke won the "People's Choice" award in the Batavia Society of Artists' summer show on display now through Sept. 30 at GO Art!

His painting is titled "Garden of the Mystic" and he described it as an intuitive painting.

Other artists in the show are Shauna Blake, Joan D'Alba, Richard Ellington, Kevin Feary, Nikki Greenbaum, Brian Kemp, Julie Lambert, Adrian Morris, Madeleine Rusch, Teresa Tamfer, Morgan Wagner, and Lydia Zwierzynski.

Brian Kemp with "Artsperience," a mixed-media piece that was a collaboration with his 14-year-old niece Danielle Jefferson.  Kemp met her for the first time this summer during a trip to North Carolina and found out that she is a young artist.  She showed him a drawing but said she didn't like it and intended to destroy it.  Kemp told her to give it to him, he said.  She did, and he finished the painting and then mounted it on a chunk of scrap iron he had in his storage shed.

Classic art reimagined around sweet themes on fence at Oliver's Candies

By Howard B. Owens

Local artist Michelle Cryer is painting new murals on the fence at the south end of Oliver's Candies' parking lot.

Each mural is a reinterpretation of a classic work of art. 

"The idea is to take famous works of art and change the focus of the piece to be products from Oliver's," Cryer said. "So 'Jelly Belly Night' -- that's Vincent Van Gogh's "The Starry Night." This is Picasso's "Child with a Dog" and I'm painting "Child with a Sundae."

Among the other artists to be featured are Banksy, Frida Kahlo, and Keith Haring.

"This next one is going to be Palmer Hayden's "Dreamer," Cryer said. "He's an African American artist. Instead of 'Dreamer' it's gonna be 'Sweet Dreamer,' and it's going to have candy in the stream bubble."

The murals will also be educational, Cryer said.  She's going to add QR codes so people can pull up links to the original works of art and learn more about the painting and the artist.

Mother’s Day event an opportunity for crafts, baked treats and art appreciation

By Joanne Beck

Jim Stucko recalls when he was going to bed at night and his father would head for the kitchen. The elder Stucko was going to prepare a few batches of his winning rye bread recipe so he could bake it and take to some friends in the morning. 

Not only was Stucko, a former Elba resident, a talented sculptor and artist, but he was also “an amazing cook,” his son said.

“I miss the guy a lot. Every time I cook something I think of the conversations we had in the kitchen,” Jim said during an interview Tuesday with The Batavian. “My parents rocked this world.”

Art pieces from John and wife Sophie Stucko’s collections will be on display with late artists Patricia Burr and Eunice Hare Murphy for a first-ever Mother’s Day Craft Sale and Basket Raffle 10 a.m. to 3 p.m. Saturday at the Elba Firemen's Recreation Hall, Route 98, Elba. The event is being organized and hosted by Elba Betterment Committee. 

“The whole thing is part of the grant we received from GO Art! for our project: Elba Betterment Committee presents Art Around Town. The idea for including our local artists actually came from one of our members, Kelly Dudley, who has always wanted to do this sort of thing at The Mill in Elba,” EBC President Pauli Miano said. “After contacting families, three were willing and excited to share their loved ones’ talent with us.”

The artist pieces will be on display in the Rec Hall. Burr and Murphy were art teachers at Elba Central School, and all three artists shared their work in the community by donating pieces to the school, churches and other organizations, Miano said. 

The Stucko couple collaborated on a lot of projects, Jim said. John would make wood cabinets and Sophie’s handmade stained glass would adorn the doors. She was from Batavia and John from Albion, and after they married they purchased a home in Elba, Jim said. His parents were avid outdoors lovers, and his dad memorialized various species of birds and fish in a painstaking fashion. 

“The birds were carved, the feathers were burnt into the wood for texture, and then he painted them. I bet he’s got 100 hours into the painting,” Jim said. “It wasn’t a job; it was a labor of love. He would stay in his shop painting, and if he didn’t like it, he would paint it again.”

He remembers his dad scouring books for just the right species of bird, and fine-tuning the colors and textures of each piece. His work grew so popular that people would offer to commission him for particular projects, though John rebuffed them. He preferred to create exactly what he wanted, and not necessarily what others had in mind, Jim said. Quite possibly the artist was a perfectionist, and it showed in his work. 

One of his last pieces was a pileated woodpecker for someone he connected with over a love of the outdoors and birds. 

“It was absolutely mind-blowing,” Jim said. “He was highly skilled in many venues, and he was a people person. Until we started to go through photos, I never realized how much my dad smiled.”

Jim chuckled as the thought about his folks’ resolve to remain strong — or strong-willed in some cases — throughout their busy lives. John Stucko was active with his craft, which included gourd carvings, until he died in 2019 at 89. Sophie died a few years prior in 2017 and was 83.

There will be 25 vendor tables featuring hand-crafted items and food. The committee wanted to ensure there wouldn’t be a lot of duplicated items, so each vendor is to be selling a particular craft. They range from wood signs and handmade purses to floral arrangements, ornaments and, for the sweet tooth, a bakery section with cookies, cakes and cannolis, Miano said. 

The committee will also be serving food to purchase, and the first 50 Moms will receive a free carnation. Genesee County Sheriff’s Office staff will also be on hand with photo and fingerprint equipment for families that request it for their children.

Eunice Hare Murphy was a 1948 Elba Central School graduate. She then completed her degree in Art Education at Skidmore College in Saratoga Springs.  She completed her MS in Elementary Education from SUNY Brockport. Her first teaching job was for the West Bloomfield School District.  Her family shared that she drove her small Chevy with a standard transmission back and forth from Genesee County every day.  

Over the years, “Eunie”, as she was known to her friends and family, taught art at Byron Bergen Central School, and finished her distinguished career as an educator at Elba Central.  She taught classes in Art, Crafts and Photography.  Eunice was a member of the Writer’s Guild in the 1970s and even tried her hand at poetry.

Eunice loved gardening, and with the help of a variety of rocks and different plants, enjoyed making clever and, at times, eccentric gardens. While teaching at Elba she was the yearbook advisor, and helped to develop the Variety Show which ran for years afterward as a fundraiser for the yearbook. Eunice lost her four-year battle with cancer in 1988 at the age of 57.

Patricia Burr’s enthusiasm for painting is evident in a collection of 14 sketchbooks, each with memories of the places and people she visited during vacations, workshops, and even in study hall at Elba Central School. Along with pencil and ink sketches is a drawing rendered in brown eyebrow pencil while in the dark at Kleinhans Music Hall without a pen.

Her minivan didn’t leave her home without “the art stuff,” just in case she would find an interesting scene. This could be while waiting for the doctor or dentist, or even during time-outs during jury duty; that was the time for her sketchbook.

Burr’s philosophy was to “make a drawing because you gain much more information by observing the subject than you do when you simply snap a photo.” Scribble a few color notes, date and time of day, weather alongside the sketch to help when planning to paint later in the studio, she said.
Burr was inspired by fellow painters Margaret M. Martin, Franklin Jones and Don Getz. Her education included Albright Art School, Buffalo State College, University of Buffalo and Rochester Institute of Technology.

Active all of her life, Burr died at age 96 in 2014. 

For more information, go to: https://www.facebook.com/elbabetterment/

Top photo: A duck sculpture by the late artist John Stucko, and several artworks by Stucko and artists Patricia Burr and Eunice Hare Murphy to be on display at the Mother's Day Craft Show and Basket Sale from 10 a.m. to 3 p.m. Saturday at Elba Firemen's Recreation Hall on Route 98, Elba. Photos by Howard Owens.

Photos: Opening of 'Illusions' in Roz Steiner Art Gallery

By Howard B. Owens

Devon Johnson, of Brockport, was among the GCC students on hand this afternoon for the opening of a new art show, "Illusions," in the Roz Steiner Art Gallery.

Her piece is a black and white photo of a friend in front of a mural in Rochester.  She said she selected the piece because she liked the angle, the shadows, and the mural.

The show runs through May 12.

Batavia native sketches his future with first published cover

By Joanne Beck

John Bruggman credits his dad’s past hobby for how the 21-year-old got involved in collecting and drawing — and now joining the ranks of being published for — the comics genre.

Bruggman just celebrated the debut of his first published book cover, Slumber #1, for Image Comics. It depicts a dark- and hollow-eyed woman holding a shotgun in a large doorway. He didn’t actually design the character, he said, but studied the sample pages, examples, and a brief description provided by the company. He submitted his version of lead character Stetson, which was chosen for the March cover release. 

“I’ve always been interested in drawing, and in high school, I started taking it more seriously in my junior year. As a kid opening up my dad’s comics, this is like a dream come true to be published with this company. But also professionally, it's a confidence boost in a weird way," the Batavia native said during an interview with The Batavian. “ "When I first came to college I wasn't sure if I was going to be able to find work or if my style would be popular with an audience. And it was a really nice confidence boost to see the praise from not only the company, but the people who bought it, and the orders that came in, and the support from the local area as well.”

The book is available at 3D Comics in Lancaster, Pressing Matters LLC in Buffalo, and through Bruggman’s website. It’s a freshly written comic with new characters and storylines. The premise features Stetson, a nightmare hunter and a dream detective.

From Image Comics: 

"She runs a shoddy back-alley business where she helps clients sleep at night by entering their dreams and killing their nightmares. But Stetson’s past comes back to haunt her when she tracks down a literal living nightmare—a serial killer that murders people in their sleep. SLUMBER is an ongoing series from the twisted minds of writer Tyler Burton Smith (Kung Fury and Child’s Play), and rising-star artist Vanessa Cardinals.”

Bruggman remembers how his passion was ignited for classic comic books. The then-middle school student had been down in his family basement and discovered his dad’s filing cabinet full of old comics. The paper materials were kindling for his own desire to join in as a collector.

“It’s like our family thing that we do. My brother started doing it as well. So we got into comics that way,” John Bruggman said. “It’s mostly from the artists I’ve been influenced by who worked in comics, they kind of worked more in horror. I’ve also taken influence from several tattoo artists as well.”

Bruggman’s process for the cover submission was to select a few key details from the premise — in this case, a door, the woman and a shotgun — and began with a loosely based sketch of poses, he said. He then figured out which poses he liked and worked out a final compilation in black and white to get an idea of the light and shadow placement. He finished it by digitally painting the work in color.  

A 2019 Batavia High School graduate, Bruggman is attending Daemen College pursuing a bachelors in illustration. His future goal is to be a freelancer working for Marvel and/or DC Comics. He’s into 1990s style comics, and likes “the diversity” of characters devised by individual artists. For example, Batman has been around since the 1930s, he said, and yet “no one has really drawn him the same.” He leans toward figures of horror with a punk, edgy influence.

His practice has been to nail down human anatomy, so often integral to comic book characters. Take a look at one of his favorites, Silver Surfer, depicting a well-chiseled body displaying many muscular poses. His work displays those fine-tuned details of muscles and curves, and he also appreciates the complexity of one’s limbs.

“Figure drawing has been a super big help, with live models. Hands and feet were the hard ones, because they’re so expressive,” he said. “We’re always progressing as artists and trying to be better. 

“And I feel like my work, especially as I keep working, I've noticed a lot of improvement, even in this last year. My work has come a long way and I'm very excited to see where it goes moving forward.”

He has been influenced by such artists as Simon Bisley, Frank Frazetta, Bill Sienkiewicz and Glenn Fabry. He believes there has been “kind of a resurgence” in the comics market with exclusive and limited covers and special editions. Those items have drawn a wider pool of collectors, he said.

Drawing helps to relieve stress, he said, and is “a highlight of my day.” He hopes to work his way into a freelance status and sees this published book cover as just the beginning.

“I really want to promote that because I really do think this is going to go somewhere very special. And usually when it comes to artists’ first issues that they work on, are like drawings: they do become more valuable. And I could see this happening with this book,” he said. “And then just looking at the story, the book, it's very well-read and the writers worked on a lot of comics and movies that were more horror related and artwork on the interior. I didn't do it, but it's a very unique style, a little cartoony, a little loose, and it's a good read. And, I don't know, I love it.”

For more information, go to: johnbruggmanart.com

Top photo of John Bruggman's published book cover for Slumber #1, by Image Comics. Above, Bruggman works on a project at school. Photos courtesy of John Bruggman and Image Comics. 

Former Batavia resident’s collections provide decades of AIDS posters for exhibit, education and reflection

By Joanne Beck

Take 8,000 posters from 130 countries and in 76 languages ranging from shockingly graphic, instructional and scary to tender and compassionate, and select a sampling for an exhibit. The late Edward C. Atwater, a former Batavia resident, physician and medical historian, donated the massive 30-year collection to the University of Rochester in 2007.

Donated to the University by Dr. Atwater in 2007 and housed in the Department of Rare Books, Special Collections, and Preservation, River Campus Libraries, the collection is one of the largest of its kind in the world, said Jessica Lacher-Feldman, whose related roles are co-editor of the book and curator of AIDS Education Posters Collection.

“I actually had a different role when I came, but I have literally been working on this project since I arrived. One of the first things that I did after coming here was going with our then dean to Ruth and Edward Atwater's home to meet them,” she said. “It’s actually very interesting, he was not an immunologist, he was not anybody who focused on HIV AIDS as a medical doctor. And what he discovered, in being a very curious-minded human being, led him in a lot of different directions.”

The collection became a six-plus years project as staff from the University of Rochester and Memorial Art Gallery chronicled it in a book and orchestrated an exhibit, Up Against the Wall: Art, Activism, and the AIDS Poster. Promising 165 of “the most visually arresting and thought-provoking posters,” it runs through June 19 at Memorial Art Gallery in Rochester and is the first major exhibition devoted to the University of Rochester’s vast collection of HIV/AIDS-related posters.

“The oldest poster is from 1982, which is really at the dawn of the crisis before, really before AIDS was really widely understood or named before the 1986 Surgeon General's report that actually spelled things out,” Lacher-Feldman said during an interview with The Batavian. “I work with the collection all the time, and I'm continuously amazed by the messages that are used in the posters and the different tactics that have been deployed in order to get that information out there. It really feels like a by-any-means-necessary thing.”

How it all began ...
Ever since she began at U of R in 2016, Lacher-Feldman, who holds many titles including rare books editor, and exhibits and special projects manager, has immersed herself into the posters, the project and the man who amassed a special history of the who, what and where of HIV and AIDS. Dr. Edward C. Atwater was a physician and medical historian as well as an avid collector of medical artifacts.

Those in the Atwater circle know the tale well of how he spotted the first collection piece while on a subway car; it was a poster promoting AIDS prevention. At a time when sex and conception weren’t even widely discussed in public, he was awestruck by how the topic was depicted on a wall hanging in such a public venue. 

His interest grew from there, and Atwater scoured various sources, wrote to or visited health departments and related officials, and requested copies of their AIDS awareness materials. From 1991 to 2019, the year he died, Atwater’s collection went from one to 8,000 pieces. One of them is from Canada, done in several different languages, and others are from Russia, China, Saudi Arabia and Bahrain. Lachman-Feldman had just been editing a poster translated into Moroccan, she said. 
 
”And we've done a ton of really interesting projects with the classes, that you can actually talk with them in so many other different disciplines, including working with medical students or medical humanities classes, but also linguistics and foreign language, translation, anthropology … and graphic design,” she said. “It's amazing how incredibly multifaceted they are.” 

Show organizers said that the posters inspire people to protect themselves, protect others, and change their own behaviors through a broad range of creative expression.  The posters widely range in content, she said, from those geared toward night clubs and bars to others for prisons by instructing corrections officers how to search a prison cell and avoid contact with possible sharps. Spanning from 1982 to present day, the materials show how social, religious, civic, activist, and medical organizations have addressed this controversial subject in all ways, from mild to aggressive. 

“Sometimes there is a need for shock value. But there's an intentionality in every single poster. They're demonstrating how to do something or not do something, or, you know, trying to evoke something emotional or sentimental or instructive, or whatever it happens to be,” Lacher-Feldman said. “And I think the biggest takeaway for me also is that hammering home the notion that it affects everyone, and it's often seen in the United States as a, quote, gay disease.” 

“We've lost a lot of people, and a lot of incredibly talented people very, very young. There's a lot that's very treatable in the United States, and we're seeing a lot of progress in other parts of the world,” Lacher-Feldman said. “So it's important to know that and remember it, and that this is recent history.”

Some of the celebrities who died from AIDS and demonstrated that it attacks all social circles include Rock Hudson, Freddy Mercury, Arthur Ashe, Liberace, Gia Carangi, Perry Ellis, Halston and Eazy-E. 

The doctor ...
Edward Congdon Atwater grew up in Batavia, attended Batavia Public Schools, followed by boarding school at Ridley College in St. Catharines, Ontario. During World War II, he served in Europe as a combat infantryman in the Third Army, 101st Infantry. In 1950, the history major graduated from the University of Rochester. During his fifth year, he fulfilled the requirements for medical school, and in 1955, he received a medical doctorate from Harvard Medical School. He served as an intern, assistant resident, and chief resident in medicine at Strong Memorial Hospital. He eventually became an associate professor of medicine and of the history of medicine, teaching medical students and residents and practicing internal medicine, specializing in rheumatology. In the early 1970s, he had a sabbatical year at the Institute for the History of Medicine at Johns Hopkins.

Atwater was author of a number of papers, both in clinical medicine and in the history of medicine, and belonged to several professional medical, historical, and community organizations. Locally, he served on the board of the Landmark Society, plus several other boards including the Friends of the University of Rochester Libraries, the Rochester Academy of Medicine, the Harvard Medical Alumni Association and the American Association of the History of Medicine.

The historian and collector ...
Lacher-Feldman met the Atwater couple and continued working with Dr. Atwater after Ruth died in 2017. Over time she grew to know him as so very “curious, smart and engaged."

“The last time I saw him, I went to palliative care at Strong, and he died within the next day, later that day, so I was very close to him and worked with him really closely. He would say that what he witnessed there was social history and a show of a major shift in the way that information about sexually transmitted diseases, and protection in a very intimate way, was being shared with the world. That crisis, that's what drew him to begin collecting these posters.”

She saw in him a deep commitment to document the issue, and how its prominence shifted, for posterity.  And that's what he did, she said. Far from over, the collection will continue to grow and be used for educational purposes, she said. There are QR codes in the gallery for posters with “deep captions” from others sharing their own thoughts and stories. Once the exhibit reaches its deadline in June, the plan is to take it on the road to share with other locales. 

“And the fact that we've actually digitized every single poster and made them available, searchable online, has made it really accessible. And that was something that Dr. Atwater wanted to make sure that we did. And we committed to doing that, as part of the agreement for accepting the gift,” she said. “So now, people all over the world can view them, compare them, think about and reflect on how the AIDS crisis has been addressed in different cultures and in different means, and how different messages resonate with different populations.”

Organized by New York-based curator and historian Donald Albrecht, Up Against the Wall will fill Memorial Art Gallery's 5,000- square-foot Docent Gallery and explore the messages and methods used to educate, inform, and provoke audiences worldwide, organizers said.

Hours are 11 a.m. to 5 p.m. Wednesdays through Sundays, 11 a.m. to 9 p.m. Thursdays and select Fridays. Admission is $20; $17 for senior citizens, $11 college students with ID and children 6 to 18; free to members, University of Rochester faculty/staff and students, children 5 and under. 

For more information, call (585) 276-8900 or visit mag.rochester.edu

Photos/images from the University of Rochester

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