arts

Batavia resident Rashaad Santiago, whom we featured in a story last month, is one of three finalists in the reality TV series "Face Off."

The show airs at 8 p.m. on the SciFi Channel. 

Santiago will be at City Slickers tonight for the season finale to celebrate the event and answer any questions people might have about the show.

Tonight, Yume Asian Bistro, on Veterans Memorial Drive, celebrated the opening of its bar with music played (as a DJ) and performed (vocals and guitar) by Brent Persia. The owners say if music on Friday and Saturday nights after the dinner hour goes over well, they will continue to offer it.

Previously: Pair of young chefs see opportunity in Batavia for Asian cuisine, especially sushi

Local artist Jolene Beckkman is closing her current exhibit, “Within the Wallpaper,” at The Gallery at Blue Pearl Yoga with a reception on Thursday, April 24 from 6 - 8 p.m. About a dozen pieces depict the struggle between what we expose and what we choose to keep hidden.

Born in Batavia but moved to Colorado before settling in Albion, Beckman attended local schools. She graduated from The College at Brockport with a degree in Fine Arts and gained an MFA from the University at Buffalo. She currently lives in Batavia with her husband and children.

Beckman has shown her extensive body of work locally in Batavia, Rochester, Buffalo, Canandaigua, Brockport, Binghamton, and Lockport as well as nationally in galleries in Chicago, Seattle, and New York City. With her current exhibit, Beckman says, she is, “questioning what it means to put a body on display, and what it means to be looked at — from the perspective of both the viewer and the viewed.”

Each complete painting is partially covered in wallpaper -- some of it purposely ripped -- “to convey the idea that sometimes what is concealed is often just as important as what is revealed.”

Much of Beckman’s work is steeped in realism and indeed, she draws inspiration from the detailed realism of the Old Masters. She also cites German Expressionist Kathe Kollwitz -- who produced a series of works reflecting her concern with war, poverty, and the lives of ordinary women in the 1920s -- as inspiring for their eloquent yet searing account of the human condition. 

“Her facial expressions are beautifully rendered,” Beckman says. “My own interpretation of such stark emotion is to paint my figures as if they are walking out of the painting and into a dream.”

Within the Wallpaper is on display until Thursday, April 24. The closing reception is scheduled from 6 - 8 p.m.; it is free and open to the public. Refreshments will be served. For additional information contact Blue Pearl Yoga at 585.230.5430 or the artist at jolene.beckman@gmail.com.

Skyler Hampton works intently on his animated character "The Boxer" during an animation workshop this morning at GO ART!

Youngsters 9 to 12 years old are being shown the foundations of animation by Dave Puls, creative director for Animatus Studios in Rochester over the course of a three-day workshop.

Dave Puls.

Cole Ashley and Skyler Hampton.

The Boxer.

Lily Whiting at work on her project.

GCC hosted its third annual Fine Arts Festival this afternoon, allowing students and area residents to try their hands at various artistic endeavors, including drawing, painting, origami, printmaking, and weaving.

Above, DiDi Martin draws a portrait of Chelsea Burkhartzmeyer.

Betty and Frank McGlaysson learn origami with instructor Kyoko Roszmann.

Jenny Spychalski.

Below, chainsaw sculptors Rick and Dustin Pratt and an owl they created form a tree stump.

While on campus, we also visited the Roz Steiner Gallery and took in the student art show.

Batavia City Schools are among five finalists in the state for a $10,000 prize from the NYS Lottery. The contest is built around the idea of students saying thank you for the support of the lottery. Choirs produced a video for the song "Thank you for being a friend." The prize money would go to the school district's music program.

To vote, click here (you'll be asked to log into your Facebook account).

About 150 students at Le Roy High Sschool are busy in rehearsals and stage set up for upcoming performances of "Legally Blonde: The Musical."

The show stars, above, John Snyder, Rachel Glucksam, Danny Weaver and Ashley Webb.

Performances are at 7 p.m. March 20, 21, and 22, in the auditorium at Le Roy HS. Tickets are available online at www.leroycsd.org and are $8 or $10 at the door.

The show is directed by Jacqueline McLean. She described the themes of the show as appropriate for school children in fourth grade and older.

"We picked the show because we had a lot of strong girls, but we also wanted to talk about some things in society that are a little controversial but important," McLean said. "The overlying theme of the show is the overall acceptance of people and people with differences. "

Members of the Genesee Symphony Orchestra are busy getting their act together for the GSO's concert Feb. 16 at St. James Episcopal Church in Batavia.

Tonight, the orchestra rehearsed at the First Presbyterian Church in Batavia.

Raffaele Ponti is the conductor and music director for the show, which will feature soloists Holly Bewley, a soprano, and pianist Isabelle Aubin (who were not part of tonight's rehearsal).

The program includes works by Leonard Bernstein, Mozart, Annunzio Montovani, Leroy Anderson, Schubert and John Williams.

Tickets are available at geneseesymphony.com as well as GO ART!, Roxy's Music and the Batavia Senior Center and in Le Roy at the Bank of Castile.

Top photo: Lynn Eberhardt, of Scottsville, on bass.

A violin in the hands of Jill Babinski.

Dave Funston, of Batavia, on drums.

Conductor and music director Raffaele Ponti.

Dave Porter, trombone

Rick Fleming will conduct the Genesee Symphony Orchestra in a holiday concert Sunday at St. Mary's.

The program features compositions by Leroy Anderson, Mozart, Bach and David Rose as well as a performance by the Oakfield-Alabama Elementary School Chorus, directed by Danielle Mileham.

The concert begins at 4 p.m.

Fleming is an associate professor of music and director of bands at Buffalo State. He is founding conductor of the Erie County Chamber Winds and conductor of the Buffalo Silver Brass Band.

These photos were taken at the orchestra's Friday night rehearsal.

Batavia High School opens its performance of "The Brother's Grimm Spectaculathon: Not your Disney fairy tales" at 7:30 tonight in the high school auditorium.

Tickets are $10 at the door ($8 for students).

There is a second performance at 7:30 p.m. tomorrow.

(submitted photos)

Since 1971, the Genesee Chorale has been making beautiful music for the people of WNY. That tradition continues this month with two holiday concerts.

First, the Chorale performs a show entitled "Hail the Star" starting at 7 p.m., Friday, at Le Roy Jr./Sr. High School, 9300 South St.

Two days later, on Sunday at 3 p.m., the group performs in Albion at the First Presbyterian Church.

The 70 or so people who comprise the chorale have been traveling weekly to Batavia from the seven area counties of WNY to prepare for these concerts.

"We come from a lot of rural communities," said chorale president Maureen Degolyer. "Coming from a rural community, like I am from Castile, you have to be willing to travel a distance to do any quality music, and that's what we do here."

The Chorale is dedicated, she said, to providing audiences with the highest quality performance they could possibly hear.

"Our expectations are high and we don't do anything that isn't quality because nobody could stand it," Degolyer said. "We aim for quality and it is wonderful stuff."

The concert is a blend of traditional and contemporary songs.

A few of the selections are: “Jesus Loves Me,” which has a jazz influence and will be feature Dan Jones on the alto saxophone; “What Strangers Are These,” featuring Fran Woodworth on flute and Mike Teeling on acoustic guitar; and, a unique arrangement of “Jingle Bells” as made popular by Barbra Streisand.

For more information and tickets, visit www.GeneseeChorale.com. Tickets will also be available at the door.

Top photo, conductor Ric Jones.

Fran Woodworth

Maureen Degolyer

Mike Teeling

Bob Holley

Jones conducting, Woodworth on flute.

The chorale's rehearsal at St. James Episcopal Church in the community room.

GO ART! presented its annual Community Arts Awards Saturday at Terry Hills.

Above, The Humans, presented with a Community Arts Award for "making an indelible mark on music history in Orleans County and Western New York."

Here's a video of their song "Warning." 

[videohttp://www.youtube.com/watch?v=t-4qHr-9MXI]

Barb Toal receives a Community Arts Award from Diana Kasten on behalf of the Friends of the Batavia Peace Garden. The award was for "dedication, drive and leadership in developing a unique cultural asset in the community."

Laura Gardner, owner of A lily & A Sparrow in Medina, with her award for "opening up new avenues of personal expression and creating a unique cultural experience in Medina."

Carol "Kay" McMahon, with Bill McDonald, who presented her award for "sharing musical and performing arts talent and encouraging the love of music in others." McMahon and McDonald then performed a song with their band The Old Hippies, which was also the house band for the night.

Mary Pat Hancock, chair of the County Legislature, was presented with a Special Recognition Award for her patronage and recognition of art and culture in Genesee County.

New this year is the Linda L. Blanchet Award, which consists of an award and a $500 scholarship for an artist from Orleans or Genesee county to assist the artist in the ongoing pursuit in art as a profession. The first winner was Joe Waszak, a fine art photographer from Orleans County. Examples of Waszak's work can be found on the Oak Orchard Review.

Assemblyman Steve Hawley was the emcee for the evening.

Not pictured, Howard Owens, publisher of The Batavian, who was presented with a Community Arts Award for "promoting the arts and cultural life in Batavia and integrating artistic visual imagery in reporting."

It's Ramble time, so ramble on down to Jackson Square this Saturday for good music, good art, good friends and good food.

Batavia's premier music and art event opens at 11 a.m. with remarks by local author Bill Kauffman.

Here's the music schedule:

On the electric stage (in Jackson Square):

11:00 - 11:15    Opening Ceremonies
11:15 - 11:45    The Ghost Riders
11:50 - 12:20    Warren Skye and Friends
12:25 - 12:55    Bluesway
1:00 - 1:30    Dave Reynolds Band
1-35- 2:05    Get It Ensemble
2:10 - 2:40    Little Trolls
2:45 - 3:15    Verse
3:20 - 3:50    Rich Lullo Band
3:55 - 4:25    Pigeon Post Stringband
4:30 - 5:00    Sierra
5:00 - 5:15    Memorial Celebration
5:20 - 5:50    Buffalo Road Show    
5:55 – 6:25    Savage Cabbage
6:30 – 7:00    General Disarray
7:05 – 7:35    Russ Peters Group (RPG)
7:40 – 8:10    Double Image
8:15 – 8:45    Taken
8:50 – 9:20    Keaton

Acoustic stage (on Center Street, next to Adam Miller):

11:20 -11:50    Good Morning Helen
11:55 – 12:25    -1 (Minus One)
12:30 – 1:00    Rockabully’s
1:05 – 1:35    Uncle Rog
1:40 – 2:10    Not Far From The Tree
2:15 – 2:45    Sierra Unplugged
2:50 – 3:20    ADub and Timmy P
3:25 – 3:55    Michael Disanto
4:00 – 4:30    Dave Armatage
4.30 – 5:00    Kate Francis

5:25 – 5:55    Brent Persia
6:00 – 6:30    Old Hippies
6:35 – 7:05    Four Dead Trees
7:10 – 7:40    Shotgun and Gator
7:45 – 8:15    Crosstown
8:20 – 8:50    Apostle
8:55 – 9:25    Dave Hollenbeck & Friends

In the photo: Kauffman, Michael Murray, Bill Pitcher, Tim Pitcher, Bill McDonald, Kay McMahon, Tom Tescott and Kevin Moyles.

If Bill Kauffman sat down to write a screenplay, the result would surely be the movie "Copperhead."

The ideal Kauffman film would take a look at a side of history that is little known and rarely discussed. The lead character would be a dissenter, the holder of unpopular opinions who won't bow to conformity. The major themes would be love of family, community before nation, and fealty to the Constitution. It would show how war rips asunder these values as brutally as it maims bodies and damages souls.

This is, indeed, the movie "Copperhead," based on the 1893 novel, "The Copperhead," by Utica-born Harold Frederic. The screenplay is by Batavia's (and Elba's) own Bill Kauffman.

A packed house at Genesee Community College's Stuart Steiner Theater of Kauffman partisans -- friends and family, mostly -- viewed a special screening Thursday night of "Copperhead." We applauded when Kauffman's first film credit rolled across the screen and clapped again for his daughter, Gretel, whose credit was for one of the two "giggling girls" at a barn dance.

We also all applauded in appreciation as the final scene faded to black and credits for all the grips and technicians and wardrobe staff rolled across the screen.

It is a very good movie.

The story line -- without trying to give away too much -- is about a small Upstate New York farm community in 1862. The town is largely Republican with a view of the war in line with the Lincoln Administration.

Abner Beech opposes the war. He's a Democrat. He's no "slaver" he says, but he considers Lincoln's war unlawful.

"It is Abraham Lincoln," Beech tells Avery (played by Peter Fonda), "and his Republicans tearing us apart, and the Constitution. Closing down newspapers, putting critics in prison, enlisting mere boys to fight in his unconstitutional war."

The scene is near the start of the film and Kauffman said during the Q&A after the screening that it's a critical scene. It sets the themes of the entire movie.

Avery's character wasn't included in Frederic's original novel, but Kauffman said one of the faults with the original story was it was rather one-sided in its point of view.

"He never gives the pro-Lincoln, the pro-war side a fair shake," Kauffman said. "It's only about Abner Beech and in the film we made the community more of a character, so I introduced the Fonda character to be an articulate advocate for that point of view."

Near the end of the exchange, Avery says, "The union, Abner, doesn't the union mean anything to you?"

Abner, played by Billy Campbell, looks at Avery with sad eyes, but also affection.

"It means something. It means more than something. But it doesn't mean everything. My family means more to me. The farm. The Corners means more. New York State means more to me. Though we disagree, Avery, ye mean more to me than any union."

A good portion of what Bill Kauffman has written in his nine books could be summed up in those eight sentences.

Asked how closely the Kauffman-esque polemic aligned with Frederic's own work, Kauffman laughed and said, "it's a seamless and harmonious melding."

Director Ron Maxwell, in Batavia for the screening, picked up the question.

"It's what we choose to do," said Maxwell, whose previous screen credits include "Gettysburg" and "Gods and Generals." "It's why this novel, instead of that novel.

"Having spent as much time as I have tilling these fields, going on 30 years of these Civil War movies, for myself, it was a completely different exploration. Where the previous two movies were, to generalize, they were cinematic meditations on what good, powerful, ethical men should be when they go to war. When you look at those films, you have a strong, full-throated point of view for the men who wore the blue or the men who wore the gray.

"Along the way," he continued, "the question is, what about the good, honorable, ethical men who chose not to go to war, and in fact, the very same war? This is one of the very few novels that raises that question about the Civil War."

Abner's opposition to the war is not without consequence. It becomes a wedge between him and his son. It leads to bitterness, hatred and violence among the townspeople.

The home front has rarely been portrayed by Hollywood, and certainly not from a dissenter's point of view during the commonly accepted "good wars" (the Civil War and World War II).

Maxwell and Kauffman have been friends since the mid-1990s and one day a few years ago they discovered they had both read "The Copperhead" and thought it an interesting and largely unexplored aspect of the Civil War. They agreed it might make a good movie, so Kauffman set about writing the screenplay.

It was no easy task -- and it never is -- getting the film funded, but eventually cast and crew were dispatched to a settlement town in New Brunswick, Canada, where all of the scenes take place.  It looks very much like Upstate New York.

Maxwell said in shooting a movie like this, you don't think about the politics of it. He doesn't like to make, he said, movies with overt political messages. He would rather explore questions and not give answers. When cast and crew are in production, they're in 1862. They're not even thinking about what happened in 1863, let alone 2013, but he knows others will apply today's current events to the issues raised in the movie.

Just the same day, he noted, President Obama has made a military commitment to Syria, so now the U.S. is involved in three wars.

"This movie is going to go into this world where we already have neighbors who are in Afghanistan," Maxwell said. "We all know military families who are suffering. This movie is to a large extent about the families who are home, worried about their relatives, so the context may be 1862, but it is relevant to our world and those kinds of inferences will be made and they probably should be made."

"Copperhead" opens nationwide June 28.

Top photo, Bill Kauffman; bottom, Ron Maxwell.

GCC's Forum Players Theater Company presents "Charlotte's Web" this week, opening at 7 p.m. Friday in the Stuart Steiner Theater.

Alumna Jaime Arena directs the production, which also shows at 2 p.m. Saturday and Sunday at 2 p.m.

From a press release:

The show is being produced with the support of The BEST Center at GCC by special arrangement with the Dramatic Publishing Company of Woodstock, Ill. Originally published in 1952, E.B. White’s “Charlotte’s Web” chronicles the life of Wilbur the pig  (played by 2010 GCC alumnus Robert Reiss). Born the runt of the litter, Wilbur is saved first by 8-year old Fern Arable (Brianna Jones of Batavia) who stops her father (played by GCC English Professor Norm Gayford) from killing the pig and nurses him to good health. In the barn at the Zuckerman farm, Wilbur encounters a spider named Charlotte (Margaret Gayford, of Warsaw High School), who spins magic when Wilbur’s life is again in danger. A timeless tale of bravery, selfless love, and the true meaning of friendship, the play is adapted for stage by Joseph Robinette.

Other cast members include: Kayli Wilson (Canastota) and Jordan Griffiths (Milford) as narrators; Sania Hyatt (New York City) as Templeton; Courtney Amesbury (Bergen) as Mrs. Arable; William Rupp (Batavia) as Avery; Christian Hoffman (Hilton) as Homer Zuckerman; Alayna Zimbrich (Hilton) as Edith Zuckerman; Tony E. Heard (Fillmore) as Lurvy; Emily Jones (Waterloo) as Goose; and Norm Gayford as Old Sheep. William Rupp, Norm Gayford and Emily Jones will play fairgoers while Brianna Jones, Tony E. Heard and William Rupp will appear as spiders.

All tickets for the show are $5. An autograph session will be held after each performance. Tickets can be purchased by cash, check or credit card from the GCC box office at (585) 345-6814 or boxoffice@genesee.edu.

Photos from today's dress rehearsal by Howard Owens.

Press release:

"Matt Venuti's performance opens the heart, quiets the mind, and deeply touches the soul" ~ Arun Gandhi, author, lecturer, grandson of Mahatma Gandhi.

Multi-instrumentalist/composer Matt Venuti is one of the world's premier players of the Hang, the most exciting new acoustic instrument of the 21st Century and one of the most captivating and versatile of all time. Better described as a sound sculpture than a typical instrument, Hang means hand in Swiss -- pure magic!

Matt's compositions and performances have been commended by worldwide fans of his original music. He has a history of performing at progressive happenings like the TED Conferences and gala events worldwide, either as a soloist or with his San Francisco based ensemble, The Venusians.

He tours throughout most of the year performing solo Hang concerts and FreeFlow Yoga events.

CLICK HERE to read a recent article written about Matt for the Huffington Post about FreeFlow.

CLICK HERE videos of him playing.

For pre-sale tickets buy on line or stop in the studio call : 585-230-5430​ or visit our Web site: www.bp-yoga.com

Thursday, June 20 | 7 p.m. | $15/ pre sale | $20/ door

Next week, Hollywood comes to Batavia.

GoArt!, in partnership with local author Bill Kauffman -- author of such books as "Dispatches from the Muckdog Gazette" and "Look Homeward America" -- and filmmaker Ronald F. Maxwell -- director of the Civil War epics "Gettysburg" and "Gods and Generals" -- will host a screening of the movie "Copperhead" on Thursday, June 13. 

This will give locals a chance to see the film before its official release in theaters on June 28.

"Copperhead" takes place in Upstate New York during the Civil War. Kauffman wrote the screenplay, based the novel "The Copperhead" by Harold Frederic, and Maxwell directed it.

Both men will be at the screening, and the movie will be followed by a short presentation by Kauffman and a Q&A session with Kauffman and Maxwell.

In anticipation of the screening, they spoke with The Batavian about the project itself, their collaboration over the years, among other things.

(To Ron): I understand you have been a longtime fan of Bill Kauffman. So this is a two-part question:

A. When and how did you first discover his work?
B. When and how did you two come into contact?

Ron: Actually the second thing happened first. We both attended an event in Washington, D.C. --- at which he spoke -- sometime in the mid-1990s. I was impressed with his wit, with his use of language, his sense of humor, and his insight, and that started a long friendship. I subsequently read his writings, and we stayed in touch over the years. 

Bill: “Copperhead” was actually my second screenplay. The first one was a project that Ron and I started developing several years ago. This was also an historical film, and it almost made it into development but didn't. We still hope it will someday. So "Copperhead" was my second screenplay, but it was the first to be produced.

(To both): What drew you to this material?

Bill: I probably first read the book 25 or more years ago. Harold Frederic was one of the great Upstate New York novelists. In fact his most well-known book, "The Damnation of Theron Ware," was hailed by F. Scott Fitzgerald as the best American novel before 1920.

Edmund Wilson, the great literary critic, praised Frederic's "Civil War Stories" for being unlike any other Civil War fiction. There's no Southern "moonlight and magnolias" romanticism, and there's no Northern "Battle Hymn of the Republic" righteousness; these are hard, unsentimental but very poignant stories of life in the North -- specifically Upstate New York -- on the home front during the war...the people left behind.

And this particular story, "The Copperhead," is about a farmer, a respected man, in a little hamlet in Upstate New York -- he's an old-fashioned Democrat who is against the war. And he is standing up, really, against his community on this. The community is torn apart, his family and the family of his chief rival are torn apart. So these people are casualties of the war in a different way.

The film is also, I think, about the resilience and resourcefulness of the people at home during wartime. It's a rich and complex story about our area, for one, and also about a fascinating time in American history.

Ron: As soon as I read it I thought, "Wow, this would be a terrific subject for a film." And I kind of ruminated for a while until about three and a half years ago, when it came up in conversation with Bill over dinner in Connecticut. I think he mentioned it first, but we both knew the novel and admired it. It was very interesting to me to explore the whole issue of the dissenters in society -- especially within the context of the Civil War, because I had already explored the reasons why good men chose to go to war in the other films, whether they wore blue or gray. Here was a film where you could explore why a good, ethical man chose not to go to war. It's the other side of the coin.

(To Bill): How was the screenwriting process different from the process of writing a book?

Bill: It’s a whole different style of writing. Writing a book is very much a solitary endeavor, although there is give-and-take with the editor. Movies are totally collaborative ventures. Even with the screenplay, Ron and I consulted throughout. Ron has a great sense for how to tell a story. So it was a very harmonious collaboration -- he's a great guy, and we work well together.

(To Ron): You wrote the scripts for both "Gettysburg" and "Gods and Generals." Why did you choose to have Bill write this one?

Ron: Well, as I said, it came up over a dinner, and by that time he and I had collaborated on the earlier project that he wrote. So I knew that he could do it. And I think part of the dynamic there is that when you write a screenplay, you need to focus big time and stop doing everything else.  At the time we started to talk about "Copperhead," I was totally immersed in something else, so I could not write the screenplay myself even if I wanted to. But I knew he could. So I worked with him, you know, in the way that a director-filmmaker works with a writer. We closely collaborated on it, but he in fact did the writing. A lot of times in Hollywood there are shared credits when a director works with the writer, but I'm a strong believer that the writer gets the credit. Because the writer is doing the work.

So, just as on the earlier screenplay, we collaborated but Bill adapted the novel. And I knew that his sensibilities would be very responsive to it. It takes place, as you know, in Upstate New York. And Bill was not only aware of this novel, but he had read other works of Harold Frederic.

In a sense, Bill is a regionalist. He's very aware of where he lives -- not just of how it is now, but of its history and literary traditions. So he was already connected to the history of this part of the world, and to Harold Frederic specifically. So of all the writers in the world, he was probably the most perfectly adapted to work out the screenplay.

If you know Bill's other work, one of his preoccupations is small town America. He has made the choice to live in small town America because he thinks that that's where American values are embodied and where the "simpler life" can be lived. That's a theme that runs through all of his nonfiction, and is certainly one of the themes of this particular story. One of the things ("Copperhead") explores is living in a rural community. I'm sure it was much more rural, with a much smaller population, back then than it is now. But again, Bill was predisposed to understanding and exploring the values of these people.

(To Bill): Were you a fan of Ron's films before this?

Oh yeah, absolutely. He's the great cinematic interpreter of the Civil War. This is his third Civil War film, but it's on a different scale. ("Gettysburg" and "Gods and Generals") had scenes with thousands of extras colliding on the great battlefields -- they were Civil War films set behind the lines.

Were you intimidated by the prospect of writing a script for him after seeing the scope of his previous films?

Bill: Well, you know, I might have been, but we had known each other. We're friends, so in that sense it was comfortable. But it was a challenge. I like challenges, and I have over the years read a lot of screenplays in preparation for this film. I'd read a number of screenplays of films that I like very much -- everything from Paul Schrader's script for "Taxi Driver" to Graham Greene's screenplay for "The Third Man." So I had an idea of how to do it, and Ron was an invaluable guide to picking up the form and grammar of a screenplay.

(To Ron): Had you ever in your life heard of Batavia before meeting Bill?

Ron: No, and I wasn't even sure whether to say Bat-ah-via or Bat-ay-via. But I guess it's like that Cole Porter song, "You say tom-ay-to, I say tom-ah-to."

(To Bill): Are there any local connections in "Copperhead"?

Bill: There is one specifically Batavia reference -- it's a little bit of an inside joke -- early in the film. Some folks will pick up on it. But I can't tell you anymore.

Also, my daughter, Gretel, and the daughter of one of the producers have cameos in the film.  It's during the barn dance scene -- look for the "giggling girls."

(To Bill): Did you have chance to visit the location shoots in Canada? If so, what was this like?

Bill: I was there for about four to seven weeks. I went up a couple different times. I got a real kick out of watching these characters that existed on paper become real. And it's funny, because some of the characters ended up looking very different from how I thought they'd look. But I think the actors really brought to life and enriched the story with their own contributions. They did a lot of studying, put a lot of thought into the roles, and I think it shows on the screen.

(On Ron as a director): You hear stories of these tyrannical, dictatorial directors, but Ron is nothing at all like that. He's very much in control, and the production is well run. But he listens to people, everyone gets along, and it's very harmonious. He does a lot of planning (before production), and that shows in that there's a real efficiency about it. It was shot over about seven weeks, and there were no wasted days. They worked from sunup to sundown. It was very impressive.

(To Bill): I understand the actors were instructed to study your Western New York accent.  What was that experience like?

Bill: (Laughs) Yes, they had a dialect coach from Canada who did a great job with them. We don't have any tapes of what people in Upstate New York sounded like in 1862, so one of the things she did -- unbeknownst to me -- was send them videotapes of speeches of mine. So it was kind of fun on the set when actors would come up to me and ask, "How do you say 'apple'? How do you say 'orange'?" Of course, we're not aware of our accents. To us, we speak normally and everyone else has an accent. And when someone asks you to pronounce something, inevitably a little bit of self-consciousness creeps into you, you know? You exaggerate whatever little accent you might have. But yeah, that was a lot of fun. And fortunately, they do not all sound like me (laughs). They develop their own accents and styles of speaking.

(To Ron): Many of the actors in "Copperhead" are a bit less well-known than a lot of movie stars out there. Was this an artistic decision on your part?

Ron: Yes, very much so, insofar as you want (as a filmmaker) to be able to have the creative freedom to cast the way you want. We made a decision early on that we were not going to chase the movie stars. Because then you're always at the mercy of their schedules, their price tags, and competing for their time with the major studios. So suddenly you're not in control of your own movie. And I've played that game, so I know that game. We wanted to be independent and just cast the movie the best way we knew we could, make the movie we wanted to make, hope that it would stand on its own merits, and get it to the public. 

The reason people get the big stars is because those stars will get the movie financed and distributed. It's a simple formula. So if you think you can have alternate ways of getting the movie financed and distributed, then that allows you artistic freedom.

(To both): How did the upcoming screening/fundraiser come about?

Ron: We thought, as part of our marketing and promotion of the movie, that it would behoove us to do a number of screenings across the country to help generate word of mouth and grassroots support of the film. And we thought, "What better way than to ally with charitable organizations?" So we looked for charitable organizations that we could feel comfortable supporting, and we have about 18 or 19 of these all across the country.

Bill: The producers asked me about having one of the screenings in Batavia, and I of course jumped at the chance. And I thought GoArt! would be a great organization (to support), and they were enthusiastic about sponsoring.

(To Ron): What interests you about the Civil War Era as a filmmaker?

RM: Well, you know, I was drawn to it so many years ago now...it took me 15 years from the time I read (Michael Shaara's) "The Killer Angels" (the book on which "Gettysburg" is based) until the time "Gettysburg" was released in the theaters. I didn't know it was going to take 15 years, and I certainly didn't know I would spend another 10 years making "God and Generals," and then another 10 years before I could make "Copperhead." That's a lot of years altogether -- it's a big chunk of anyone's life to spend on one historical period. It's not like I set out to do that, it just kind of happened that way.

But along the way I came to realize that it has been a deep and abiding interest. It's just endlessly fascinating, and these are stories that have been very compelling to me. I have other kinds of projects I've been working on -- I have a Western I've been working on, a project on Joan of Arc, contemporary films...I'm always juggling them and trying to get them financed like other filmmakers. But it's just kind of worked out that "Gettysburg" led to "Gods and Generals," which led to "Copperhead." A lot of that is my own focus and my own energy, but some of it is serendipitous.

(To Bill): What draws you to writing about small town America?

BK: Well, it's where I've spent most of my life -- it's where I am now. To me, Batavia was always a source of fascination. Every story you could tell was on its streets and in its buildings. 

It's not that people in small towns are better than people in big cities. But I think because of the smallness and intimacy of the scale, it's a place where the individual can matter. In the anonymity of the big cities and suburbs, sometimes the individual can get lost in the crowd. To me, life in a small town seems more real, more immediate. I also think that small towns get the short shrift, both culturally and politically. It's unexplored territory.

(To both): Do you have any words of advice or encouragement for readers who might be aspiring toward successful careers in writing or filmmaking?

Bill: Words of advice for aspiring writers? I guess I'd say Read Read Read Read Read. Persevere. And don't get discouraged.

Ron: Well the most important thing is for aspiring filmmakers to develop and protect their own voice -- and not kind of mimic, copy, cater, pander or be what they think someone else wants them to be, what Hollywood wants them to be, or what any third party wants them to be.  Because then they are wasting their own time and everyone else's. If they can hold onto that little voice inside them that is their unique voice, that's the most important thing. That's what we want to hear and watch.

The screening of "Copperhead" will take place at Genesee Community College's Stuart Steiner Theatre, at 1 College Road in Batavia, and start at 7 p.m. Tickets are $20 for GoArt! members and $25 for non-members.

For more information or to purchase tickets, go to www.goart.org/events.php#Copperhead or call 343-9313.

Supplemental: "Copperhead" trailer

Photo of Ronald F. Maxwell directing courtesy of George Nicholis.